As A Celebrity, Should I Own or Rent My Story?

Ron Watermon • September 28, 2022

Unique Considerations for Famous & Accomplished Individuals

September 28, 2022 – St. Louis, MO - As a celebrity, should you own or rent your story?

As a famous, highly accomplished individual you have a set of unique considerations to make in vetting that foundational question when it comes time to share your story.

This blog is a companion to our last post entitled Should I Own or Rent My Story?

We will go a little deeper into the key considerations a celebrity should make when deciding to share their story on screen with a movie, TV show or other on-screen project (ex. NFT collectibles).

When we say celebrity, we are using that in the most inclusive way possible. A celebrity includes anyone who is highly accomplished within their own field and has a level of notoriety that enables them to reach a significant audience that only an elite few others can expect to reach.

This group includes current or past professional athletes, actors, musicians, entrepreneurs, elected officials, and other famous people within their own field.

Fame or notoriety is relative. You may be famous with one cohort but not others. As I age, I’ve come to appreciate this fact. Being a parent of a 12 year old helps me realize this even more. If you ask me and my son Charlie to list 10 famous people we want to meet, I suspect we wouldn’t have many common names on that list. And we wouldn’t recognize names on the other’s list.

Fame is relative. For example, I love jazz. A jazz musician may be wildly popular with someone like myself but be able to go the grocery store or walk down the street with a level of anonymity that I also enjoy.

I am grateful that no one is coming up to me for a selfie or autograph.

For our purposes, a “celebrity” is also an individual who may want to control their brand narrative and has a legacy “brand” they want to hand off to their family. They may have a level of celebrity that affords them the chance to pass some level of wealth to their family and might enable them to continue to profit down the road.

Elvis and Michael Jackson are examples of this. They continue to generate wealth for their families (estates and heirs) long after they performed their last song.

If there is a market for your autograph or you get paid well to speak to groups, there is a chance that there is a market for your book or documentary.

If that is the case with you, then your decision to own or rent your story is similar to the rest of us, but with more profound IP, brand narrative and economic considerations.

The reality is that there is always a strong market for a good film, just as there is for a good book. Turning your raw clay of a story into a beautiful masterpiece people will pay to see involves a lot of variables.

That said, your decision to share your story starts with the foundational question of owning or renting?

When we say own your story, we are talking about taking responsibility for bringing it to the screen, shaping what is included in the story, and owning the intellectual property rights on it. That is a lot of work. And to do it right, it will cost money.

There is a reason “show business” has grown into a huge industry. It is both show and business. There are key practices that increase the likelihood of success, but they all involve a level of work an amateur is unlikely to succeed with their first time.

This is why many celebrities go the rental route.

When we say rent your story, someone else is doing the storytelling work. They are spending the money to tell your story and they are profiting from it. They also decide the content and direction of the story. This is the typical model for most celebrities.

Let me share some specific examples.

If you are an athlete, maybe ESPN wants to do a 30 for 30 Documentary about you. Like any traditional media outlet, they are a business that makes money by telling stories. As evidence of this fact, here is the link to the complete 30 for 30 librarywhere you can rent their stories.

I put this in the “rent” your story bucket. Why wouldn’t an athlete want them to tell their story?

If ESPN came to me to do a 30 for 30 about that walk-off grand slam home run I had in kickball in 4th grade, let’s just say I wouldn’t quibble over my copyright and my NFT collectibles NIL rights.

That game at recess at St. Bridget’s school was the highlight of my inspiring athletic career, so I would welcome that story being brought into the homes of others. If I could be an inspiration to children around the world, it would be selfish for me to hold out for my big payday.

Hopefully it will be a positive portrayal of my story. Claims that I was stealing signs from the other team are completely without merit. My memories of that play are as vivid today as they were the day it happened. I could see the spin of the ball as it was leaving the pitcher’s hand. It was legit through and through.

Now, if I was concerned that ESPN would “fake news it” and tarnish my otherwise stelar reputation as a kickballer, then maybe I would feel differently. I might not want to talk to them if I thought they would tarnish my reputation and scratch at any old wounds.

Perhaps if I was selling my own merchandise or had a pathway to produce and monetize my story otherwise then I might feel differently. If I was making my living on this past event and built some notoriety within the kickball community, I might opt against the rental route and try to bring my own story to the screen.

Like anyone else, I would like to leave my family with some level of wealth when I die.

While that doesn’t look particularly promising at the moment as the founder of fledgling bootstrap startup, you never know where this STORYSMART thing will lead with the right stick-to-it-ness coupled with those periodic investments in Powerball.

I have a dream that one of our client projects will win best picture in my lifetime. That would be my big wildest dream about how STORYSMART could play out. We help someone own and tell their story in a beautiful way on the big screen. And they own it.

Nothing will make me happier then when we get a shout out for our help as they hold that Oscar statue over their head. That would be pretty cool.

Now, my Oscar fantasy is a good illustration of a wild success story of owning your story.


  • What if your story is Academy Award winning stuff in the hands of a great filmmaker?
  • What if you could actually own it and profit from it?
  • What if you sell action figures and the like? How cool would that be?

That is the upside of owning. You literally own it. Copyright and all. You participate in any profits, residuals, merchandising etc.

The downside to “owning” it is that you may have to fund it or assemble the investors to bring it to the screen. That could be a lot of work. Or you could pass your rights off to someone else to do it. You could rent it.

ESPN 30 for 30 spends the money on producing a beautiful documentary that they own. Sure they capture your name, image and likeness to tell the story, but they did the work and own the copyright. They make the money and residuals on it for years to come. There is nothing wrong with this business model. That model drives the multi-billion dollar show business industry today.

Walt Disney designed it that way (as did American law). The creator of a piece of artwork owns the artwork. So here is a simple way to understand it. If your name is Mona Lisa and you hire Leonardo da Vinci to paint a painting of you, he automatically owns the copyright on that painting unless you have an agreement otherwise.

If you are a celebrity, part of why you are a celebrity is because the media cover you. You may not want to bite the hand the feeds. The reality is that if they decide they want to do something in the documentary or news realm, you may not have much of choice other than to provide access or not. You are a public figure.

Rights and access are the things that we want you to be smart about. Your story may have more value than the intrinsic value or brand narrative value folks like myself might assign to our own story.

Your story may be something you can monetize.

But telling a story well with video or film can be hard. It costs money to do it right. It is real craft.

William Shakespeare’s work stands the test of time because he was a brilliant storyteller.

Here are the things you should consider are do you want to control your narrative:

·Do you want to shape what people know and remember about you?

·Do you want to benefit financially from it?

If you do want to control your narrative and benefit from any upside financially then you should own your story. Our advice is to hire the equivalent of a ghost writer to help you tell that story.

A trained storyteller like William Shakespeare will do a better job telling your story than you would doing it yourself.

That is especially true with video and motion picture storytelling. We have all seen bad movies and TV shows from very reputable production companies. It isn’t that easy to do it right. It is an artform that demands a real artist. That said, you can make it a work for hire.

If you are Mona Lisa, be STORYSMART about it by making sure you get Leonardo da Vinci to sign a work for hire agreement that gives you full rights. In short, make sure you #OwnYourStory

About STORYSMART

If you want to be remembered, share an amazing story on screen. Whether developing a brand for your business or preserving a family legacy, nothing is more powerful than a great video story.

While there are a lot of DIY apps out there to help you produce a video, no app will turn you into a great filmmaker. Telling your story well with video can be hard. You need the right skills and equipment, not to mention time, money and talent to do justice to your story.

STORYSMART helps you tell your story in the amazing way you deserve with our done-for-you premium video storytelling service. Using a nationwide network of talent, STORYSMART provides you an experienced television reporter or journalist filmmaker to tell your story professionally following our proprietary STORYSMART system.

STORYSMART provides a nationwide premium video storytelling service that empowers individuals, families, celebrities, small businesses, and other organizations to have their stories told professionally while still retaining their intellectual property rights. Learn more at getstorysmart.com


By Ron Watermon November 1, 2025
In the digital media age, outrage is currency. Not just emotional currency, but authority, engagement, and sometimes market value. What if the anger you see bubbling up on social feeds isn’t purely organic, but instead the product of a manufactured campaign — run at industrial scale, with bots, trolls, and fake accounts fanning the flames? That’s the story behind two recent flashpoints: the Cracker Barrel logo debacle and the Charlie Kirk killing in Utah. The common thread: replay of a familiar playbook in digital influence operations. I first became aware of this issue when I oversaw social media for the St. Louis Cardinals. We were victimized by trolling that we later found out where fake accounts controlled by someone with an agenda. It happens more than you realize. It is important to understand that much of what you see online isn’t necessarily what it appears to be. I ‘ve been trying my darndest to educate my son about this troubling reality. The Playbook: From Real Trigger to Manufactured Tsunami A typical sequence: a genuine event or brand decision appears. Then somewhere in the feed, suddenly, an initial wave of harsh commentary. But this is amplified by networks of automated or semi‐automated accounts: fake profiles posting a high volume of posts, repeating identical talking points, deploying hashtags, creating the impression of a massive grassroots revolt. Humans then amplify the outrage further — natural users who treat the commentary as genuine, join in the pile-on. Media notices. The target reacts. The narrative crystalizes and people believe it as gospel. This dynamic has been studied in academic research: for example, social bots increased exposure to negative and inflammatory content during the 2017 Catalan referendum . The pattern has been labelled “ rage-farming ” — taking a benign or business decision, stripping context, and turning it into a cultural event by generating outrage. Case One: Cracker Barrel’s Rebrand (or “Crisis”) In August 2025, Cracker Barrel introduced a minimalist redesign of its iconic logo — removing the figure of the man leaning on the barrel, simplifying the brand. What followed, on social media, looked like a cultural backlash — waves of posts accusing the company of erasing “Americana,” capitulating to “woke” agendas, and provoking a boycott narrative. But data suggests the backlash was largely orchestrated. Research from PeakMetrics found that 44.5% of posts on X on the first day of the controversy were posted by “bots or likely bots” — nearly double the normal rate for brand discussions. Another analysis by Cyabra found that 21 % of the profiles attacking Cracker Barrel were fake accounts, generating 4.4 million potential views and correlating with a roughly 10.5 % drop in the chain’s stock price (≈ US$100 million in market value). In short: what may have started as a legitimate brand evolution was transformed into a crisis — arguably by actors seeking to create the appearance of consumer revolt rather than organic outrage. Pull this thread back and you’re looking at an influence operation using brand identity as knock-on effect weaponry. Case Two: The Killing of Charlie Kirk & the Disinformation Cascade Divides Us When conservative activist Charlie Kirk was killed in Utah in September 2025, the immediate social media reaction was chaotic and fast. But analysis reveals that part of the reaction to the podcaster’s killing was not spontaneous: foreign adversaries and bot networks seized the moment to amplify narratives of American dysfunction, civil war, and conspiracy. For example: over 6,000 mention clusters across official Russian, Chinese and Iranian channels within a week of the event. The U.S. state-level warning was immediate: Utah Governor Spencer Cox said “We have bots from Russia, China, all over the world that are trying to instill disinformation and encourage violence.” One article summarizes: “America’s adversaries have long used fake social media accounts, online bots and disinformation to depict the US as a dangerous country beset with extremism and gun violence.” The mechanics? Bot and troll networks inserted themselves into the conversation when the topic was searing. This was a breaking news dynamic. The news had not yet fully solidified, facts were still emerging. In that void, false claims proliferated: about who the shooter was, their motive, links to Ukraine, Israel, trans-ideology, etc. These narratives served broader purpose: to stoke domestic divisions, diminish trust in institutions, and disrupt public discourse at a moment of crisis. Why This Matters for STORYSMART® Practitioners For storytellers, consultants, brand strategists and communicators working in a high-noise online world, this dual trend — manufactured outrage + influence operations — poses multiple red flags and opportunities. 1. Perception vs. reality. Just because an online backlash looks huge does not mean it’s genuine. The data from Cracker Barrel shows how nearly half the early posts were automated. Without discerning bots from humans, brands or agencies may mis-read audience sentiment and mistake a manufactured wave for real consumer demand. 2. Narrative acceleration. In the age of bots + algorithms, once a narrative is injected it can spread from inauthentic accounts to real humans to media headlines — creating feedback loops that feel authentic but are engineered. That acceleration can force brand decisions (reversals, halts) under pressure. Cracker Barrel reversed its logo and remodel plans within weeks. 3. The wild field of breaking news. Big, fast news events (Kirk’s killing, natural disasters, etc.) are ripe targets for influence campaigns. Facts are incomplete; emotions are high; bots can fill the vacuum. If you’re communicating after such an event — whether as a journalistic storyteller, brand communicator or community-manager — you must assume noise is amplified, manipulated, and multi-layered. 4. Trust and narrative ownership. If 21 % of the profiles attacking a brand were fake (as with Cracker Barrel), then the “public opinion” you see may not be public at all but engineered. For storytellers using social listening data, this demands scrutiny: Which voices are real? Which are bots? The narrative you amplify might be the product of manipulation. 5. Media literacy and storytelling ethics. As a STORYSMART® framework practitioner, this is a perfect teaching moment. Your audiences (clients, teams, communities) need to know not just how to create stories, but how to see through manufactured ones. Because the cost of mis-reading the field is high: brand equity, public trust, even stock value can be sucked into the vortex. Key Signals: How to Spot Manufactured Outrage Here are some warning signs to watch for: A sudden spike in volume from accounts with little profile history (new accounts, no followers, generic avatars). Identical talking points repeated across multiple posts in short time. For example: #BoycottBrandX, #BrandXIsFinished. (Cyabra found this in the Cracker Barrel case.) The narrative pivots quickly from a product/brand detail (logo change) to culture-war framing (betrayal of tradition, woke agenda, etc.). Geographical spread and targeting: foreign state media or foreign language accounts join the conversation immediately after an event. (As in the Kirk case.) Rapid transition from social media to mainstream media coverage, with headlines referencing “outrage” and “backlash” even though underlying data may be murky What You Should Do Integrate authenticity analysis: Don’t assume all posts are equal. Use tools or manual scans to look for high-volume bot activity before concluding a backlash is real. Delay action until you understand the narrative origin: If a brand feels under attack, pause for five minutes to look at the data — is it genuine critics or orchestrated storm? Frame proactively, truthfully: If you manage the target brand or stakeholder, ensure your communication makes clear what you know, what you don’t know, and how you are listening. Silence or knee-jerk reaction plays into manufactured narratives. Teach your audience/stakeholders: In your STORYSMART® work, build into messaging the idea that not every “viral outrage” is grassroots. That meta-narrative — about how narratives are constructed — becomes part of the story. Monitor ripple effects: As we saw in Cracker Barrel’s case, the manufactured outrage had an actual financial cost. Public trust and brand value aren’t immune. Final Thought In the age of bots, troll farms, programmed outrage and attention-economy weapons, the line between “public sentiment” and “manufactured sentiment” is increasingly blurred. Whether you're working on a family-history documentary, a brand relaunch, or a social media campaign, the same rule applies: the source of the buzz matters. If that buzz has been engineered, you risk mis-reading the narrative, mis-allocating your voice, and playing into someone else’s story. For the STORYSMART® audience, this is a prime example of storytelling in practice: not just what story is told, but how it is seeded, amplified and weaponized. The more we understand the machinery behind the outrage, the better we can shape stories that are genuine, strategic, and resistant to manipulation.
By Ron Watermon October 21, 2025
When Deadline first reported that Bruce Springsteen’s Deliver Me From Nowhere was headed for the screen, I expected it would be more than another typical music biopic because it was based on a book that focused on a sliver of Springsteen’s life. That “sliver” was a singular defining period of Springsteen’s life. When I wrote my book, I took note of the fact that when Hollywood came calling, they first reached out to Warren Zanes who wrote the book and not Springsteen himself. I was trying to make the point about the importance of securing storytelling source material. The real work in telling a story is that of the author. Writing a great story isn’t easy. When it happens, someone in Hollywood is bound to notice. What I didn’t fully appreciate until now is that Springsteen’s story to screen journey is a masterclass in focus — a case study in how a single defining period, a writer who truly understands his subject, and a team of champions can move a story from the page to the screen in record time. Zane’s book was published 2023. A little more than two years later, the film is being released. That is amazing in of itself, but the approach to the story told is also instructive. Most people think you need your whole life story to make a film. Springsteen — and Warren Zanes — show us you don’t. It can be a sliver. The story behind this storytelling is a Boss lesson in storytelling that help you deliver your story from nowhere. 
By Ron Watermon October 13, 2025
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July 22, 2025, St. Louis, MO - There’s a line in Jerry Maguire that has always stuck with me. Young Ray asks his mom, “What’s wrong, Mom?” And she replies: “ First class is what’s wrong, honey. It used to be a better meal. Now it’s a better life. ” That line hits hard. Because access—access to opportunity, tools, and professionals—changes everything. And when it comes to storytelling, access has long been unequal. For decades, only a small group of insiders had the power to tell stories at the highest level. If you weren’t already in Hollywood or publishing, your story stayed in coach—often ignored, misrepresented, or lost. I wrote STORYSMART® Storytelling for ALL to change that. This book is a roadmap. It’s designed to give you—whether you’re a public figure, entrepreneur, athlete, or someone with a life story worth telling—the same tools used by insiders. The same strategies that power studios, presidents, billion-dollar production companies, and bestselling memoirs. It’s also deeply personal. I’ve seen too many remarkable true stories disappear because people didn’t know how to protect them—or worse, were taken advantage of. I’ve felt like an outsider myself. And I know what it means to want your story told right. That’s why I developed the STORYSMART® Framework. To empower people with meaningful stories to protect their rights, preserve their vision, and share it with the world—on their own terms. I’m making the Author’s Note from the book available as a free PDF download as part of this post. And if you’ve got 90 seconds, I invite you to watch the short video message from me below. This is your story. Let’s tell it the right way. About The Book In a world hungry for authentic narratives, STORYSMART® Storytelling for ALL™ : How to Take Control, Own Your True Story and Profit Like a Hollywood Insider delivers a rare insider’s guide to turning a true story into a cultural and financial asset while maintaining control. Designed for public figures, entrepreneurs, and individuals with powerful life stories, the book introduces the STORYSMART® Way, a step-by-step framework to organize, preserve, and professionally develop your story for books, film, and television. The book pulls back the curtain on how stories move through publishing, Hollywood, and streaming—and empowers readers to navigate the process like seasoned insiders. Topics include copyright and licensing, collaborating with elite-level professional filmmakers and ghostwriters, developing a pitch-ready treatment, and monetizing true stories through publishing, streaming, and merchandising. STORYSMART Storytelling for ALL is available currently as both a paperback and e-book. It will be available soon be in hardcover and audiobook formats. About the Author Ron Watermon is the founder of STORYSMART®, a cinematic storytelling consulting service and story development film studio. A lawyer, filmmaker, and Emmy-nominated television producer and writer, Ron’s led strategic communications for an MLB team, advised high-profile clients, and has produced both film and television productions. Ron lives in St. Louis with his family. Learn more about Ron at storysmart.net and ronwatermon.com #STORYSMART #StorytellingForAll #NewBook #MediaRights #TrueStories #BookLaunch
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