Own Your Story the Cardinals Way

Ron Watermon • July 4, 2021

Taking Ownership of Your Story is Really the American Way

St. Louis, MO – July 4, 2021 - When it comes to storytelling, the “Cardinals Way” should be everyone’s way as it is the American way.

The St. Louis Cardinals make sure they own their own story with everything they do. I’m talking about owning the intellectual property rights, as well as taking responsibility for sharing their story directly with their customers.

You should own your own story too. Copyright and all. You should also take full responsibility or ownership for sharing it. It is that simple.

While few have the potential reach or the expansive resources of the St. Louis Cardinals, we can learn a lot from them. They make sure they own their own photographs, videos, print stories, broadcasts, and everything else they do when it comes to sharing their team story.

You should do the same. I don’t care who you are. Whether you are an amateur athlete or the local plumbing company, you need to own your story and all the elements to tell it such as your URL, your photos, videos etc..

It may be hard to see your business, medical practice, non-profit, union, parents estate, brand or yourself in the same light as a wealthy Major League Baseball team, but you should.

The idea of helping people own their story is why I formed StorySMART. While the Cardinals were doing it right, I could see so many others – including most of the team’s players and others – not.

You might be surprised to learn how few athletes, entertainers or other celebrities own their stories. They are not unique. I look around the world today and see so many people not owning their story.

That is why I was happy to see the US Supreme Court’s recent decision about NCAA athletes.

Shouldn’t we all own our name, image and likeness?

It is common sense right?

Well, guess what, you should also own the rest of your story. Helping clients figure out how to best do that is why I formed my business.

StorySMART helps clients own their story with a unique service that no one else offers.

We help our clients tell their stories professionally, honestly and memorably through brand journalism by employing some of the best journalists in the business. While a trained professional TV reporter tells our client’s story for them, our clients own the work – copyright and all – forever.

Sure, our clients could pitch their story to a traditional independent media outlet, but then they wouldn’t own it. And there is a strong likelihood that they wouldn’t get what they wanted or needed in the story.

But the media outlet would get what they wanted. And they would own the story forever. Copyright and all. For what it is worth, I have no problem with this dynamic. If the New York Times publishes a story, they should own it and profit from it.

Our country needs strong independent journalism. What I’m saying in this post is that everyone has the right to own their own story and to tell it themselves. So with that disclaimer behind me…

Why does owning your story matter even more today?

Everyone expects to go directly to the source to get information. We have been conditioned by our search habits to expect the information we desire at our fingertips. We google everything these days. Or we ask Alexa or Siri.

We also expect to watch what we want to watch whenever we want on whatever device we want. Finally, more media is created by the masses today than mass media. Anyone with a website or a social media account is essentially a media outlet.

These fundamental facts are even more reason you should own your own story.

StorySMART developed our service because we recognize that communication and marketing tactics haven’t caught up with this new reality. We are living through a transition period not unlike the transition from horse and buggy to the automobile.

So as you listen to that song on your eight-track player, we want you to recognize that most PR flaks are stuck in the past with mindset that is too focused on traditional media. For them, it is all about the pitch. Getting news coverage for their clients. They have invested tons of time and energy in building relationships.

I know, because I was one of those horse and buggy drivers before I let my Clydesdale enjoy his days dining from a pasture at Grant’s Farm by taking ownership of the storytelling.

Once you get behind the wheel of driving our own storytelling, you won’t look back. You will soon realize that there is a wide-open roadway that can take you anywhere when you decide to own your story.

Take responsibility for your own destiny, control your own narrative and build your brand community by telling your own stories.

Let’s face, each of us wants to be the hero of our own story. Including your customers. American independence was rooted in this idea.

The American people were not interested in just being supporting characters in King George’s story. The wanted a nation that would allow each of them to write their own story.

Today you have even more ability to write your own story.

Modern technology and the shifting communications landscape empower you to own your story and connect in ways no one in 1776 could have imagined. That said, our founders were keenly aware of how the mass media of that time fanned the flames of the American revolution. History definitively demonstrates that our founders owned the story and shaped the narrative of a new nation.

That fundamental insight – owning your story - drove my vision as I led the Cardinals modernization efforts in building their first communications department.

During my time with the St. Louis Cardinals, my colleagues and I built a new department around the idea that we should tell our own story and connect directly with fans. With 13.7 million fans coming to the team’s website each month during the baseball season, we could and should communicate directly with them. We didn’t just have to rely on the traditional media to get our message out to fans. Our website and social media empowered us to connect directly with fans.

We invested heavily in video storytelling and built our foundation on a brand journalism. We hired journalists, bought video production equipment and started telling stories. What started with me shooting videos on my cell phone eventually led to us producing our own weekly magazine TV Show ( Cardinals Insider with Ozzie Smith ) that we distributed on 18 over the air TV stations and our regional sports network (Bally’s Sports Midwest).

While the video element was new, the brand journalism wasn’t. The team had been producing Cardinals Magazinefor years. The magazine used experienced journalists to cover the team from the unique perspective of being inside the club. That insider’s point of view was what made our reporting unique. We had access others didn’t have. We could bring our fans stories they craved and couldn’t get anywhere else.

The Cardinals reporting on Cardinals was not instead of the team working with the media. It was in addition. More often than not, we were telling stories the baseball writers were not interested in covering. They were stories our fans wanted to see. The reality is that our fans expected us to do it.

Your fans expect the same from you.

Your customers expect you to help them with useful information from your area of expertise.

You need to think like a media outlet. Focus on your audience. Tell a story that connects emotionally with your audience. Make it search responsive. Give your customers news and information that they can use that you are uniquely positioned to provide. When you do that, you build trust. Over time, you will build a deeper relationship with your customers. In the process you will build a brand community that will fuel your growth.

You get all of that by sharing your story directly through your website. Take responsibility for sharing your stories. But remember that when you hire someone to take photographs, write a blog post or shoot a video, be sure you own the intellectual property rights.

#OwnYourStory

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Your Clear Eyes, Full Rights, Can't Lose Playbook.  If you’ve ever watched Friday Night Lights, you know the phrase: Clear eyes, full hearts, can’t lose. It’s the mantra Coach Taylor preached to his team. But when I look at the 35-year storytelling journey of Friday Night Lights—from a reporter’s notebook to a bestselling book, then a film, a beloved series, and now talk of a reboot—I see a slightly different mantra: Clear eyes, full rights, can’t lose. Because underneath the inspirational football story is a lesson we can draw from in how one journalist’s immersive reporting became a durable, multi-platform franchise. And for me, it’s a perfect demonstration of a pathway we advocate for at STORYSMART®. It all starts with investing in good clear-eyed journalism. It is the single most important investment you can make in developing a true story. When you take control of your source material to tell a true story and develop your story properly, your story can live on for years far beyond the page. I’m a big proponent for adopting a story franchise mindset when approaching storytelling projects. That is why I tell clients to think like a studio executive by adopting a media mogul mindset. When you open your mind to that, it opens the doors of possibilities. The storytelling journey of Friday Night Lights helps illustrate what is possible, as well as offer other lessons on what to do and not do in designing your own professional storytelling path. How a reporter’s notebook became a franchise In 1990, journalist Buzz Bissinger published Friday Night Lights: A Town, a Team, and a Dream. It wasn’t just another sports book. He moved his family to Texas to immerse himself in this story. Bissinger spent a year in Odessa, Texas, embedded with the Permian High School Panthers, capturing the obsession, pressure, and community identity that revolved around high school football. He conducted hundreds of hours of interviews and built his narrative from a deep archive of source material. Every interview he conducted is his work product, what I often refer to as copyright protected storytelling source material. Make note of that. That depth of Buzz’s reporting gave the book credibility. It also gave it power as intellectual property. It was a fantastic book that was a hit.
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July 22, 2025, St. Louis, MO - There’s a line in Jerry Maguire that has always stuck with me. Young Ray asks his mom, “What’s wrong, Mom?” And she replies: “ First class is what’s wrong, honey. It used to be a better meal. Now it’s a better life. ” That line hits hard. Because access—access to opportunity, tools, and professionals—changes everything. And when it comes to storytelling, access has long been unequal. For decades, only a small group of insiders had the power to tell stories at the highest level. If you weren’t already in Hollywood or publishing, your story stayed in coach—often ignored, misrepresented, or lost. I wrote STORYSMART® Storytelling for ALL to change that. This book is a roadmap. It’s designed to give you—whether you’re a public figure, entrepreneur, athlete, or someone with a life story worth telling—the same tools used by insiders. The same strategies that power studios, presidents, billion-dollar production companies, and bestselling memoirs. It’s also deeply personal. I’ve seen too many remarkable true stories disappear because people didn’t know how to protect them—or worse, were taken advantage of. I’ve felt like an outsider myself. And I know what it means to want your story told right. That’s why I developed the STORYSMART® Framework. To empower people with meaningful stories to protect their rights, preserve their vision, and share it with the world—on their own terms. I’m making the Author’s Note from the book available as a free PDF download as part of this post. And if you’ve got 90 seconds, I invite you to watch the short video message from me below. This is your story. Let’s tell it the right way. About The Book In a world hungry for authentic narratives, STORYSMART® Storytelling for ALL™ : How to Take Control, Own Your True Story and Profit Like a Hollywood Insider delivers a rare insider’s guide to turning a true story into a cultural and financial asset while maintaining control. Designed for public figures, entrepreneurs, and individuals with powerful life stories, the book introduces the STORYSMART® Way, a step-by-step framework to organize, preserve, and professionally develop your story for books, film, and television. The book pulls back the curtain on how stories move through publishing, Hollywood, and streaming—and empowers readers to navigate the process like seasoned insiders. Topics include copyright and licensing, collaborating with elite-level professional filmmakers and ghostwriters, developing a pitch-ready treatment, and monetizing true stories through publishing, streaming, and merchandising. STORYSMART Storytelling for ALL is available currently as both a paperback and e-book. It will be available soon be in hardcover and audiobook formats. About the Author Ron Watermon is the founder of STORYSMART®, a cinematic storytelling consulting service and story development film studio. A lawyer, filmmaker, and Emmy-nominated television producer and writer, Ron’s led strategic communications for an MLB team, advised high-profile clients, and has produced both film and television productions. Ron lives in St. Louis with his family. Learn more about Ron at storysmart.net and ronwatermon.com #STORYSMART #StorytellingForAll #NewBook #MediaRights #TrueStories #BookLaunch
By Ron Watermon April 24, 2025
We are honored to share some big news. Our documentary, A Steak Guerrilla in St. Louis: The Dr. Arturo Taca Story, has been selected as one of five projects to receive funding from the St. Louis Film Project , a collaboration between the Regional Arts Commission (RAC) of St. Louis and Continuity . This recognition comes from a highly competitive pool of 115 applicants. The grant—up to $100,000—represents a decisive vote of confidence in our story and our approach to telling it. It also offers meaningful momentum as we enter the next phase of production. Most importantly, it reinforces what we believe: Dr. Arturo Taca’s story matters and deserves to be told. A Story Rooted in St. Louis — and Felt Across the World “A Steak Guerrilla in St. Louis” is a documentary rooted in the unlikely convergence of midwestern Americana and Filipino resistance. It follows the story of Dr. Arturo M. Taca, a Filipino surgeon and political exile who made St. Louis his home while taking a stand against Ferdinand Marcos's brutal dictatorship. Before terms like “fake news” and “disinformation” became common in American discourse, Dr. Taca uncovered the truth behind the Philippine president's fraudulent war record. That investigation began here—in dusty archives just outside of St. Louis—and set off a chain of events that toppled a brutal dictator. Our film uses a hybrid storytelling format, combining animated reenactments, interviews, and archival research to tell this story in an emotionally resonant and visually striking way. The Grant That Helps Make It Possible The St. Louis Film Project grant, funded through RAC and administered by Continuity, is part of an initiative to uplift the film community in St. Louis. RAC’s press release states that the fund was created to “support local filmmakers and organizations to tell stories rooted in St. Louis.” The evaluation process was rigorous. “Choosing five projects from over 100 submissions was no easy feat," said Vanessa Cooksey, President of RAC. "The talent and stories presented were incredible.” That’s why being one of the five chosen is more than just a financial boost—it affirms this story’s value and connection to our community. It means much to us, and we don’t take it lightly. A Delayed Start But a Firm Deadline While the grant announcement arrived months later than initially expected, we’ve been working behind the scenes to be ready to go once we receive funding. With this grant officially in place, we’re full steam ahead. The grant contractually obligates us to deliver the completed film by January 2026. That’s a fast turnaround in documentary filmmaking, especially for a story with historical depth, international relevance, and a visual style that blends live action with animation. That means every day counts. While the grant covers significant production costs, it also comes with essential parameters: 75% of funds must be spent within the City of St. Louis. We’re proud of that requirement—it aligns with our belief in investing locally and elevating regional talent. But it also means we must be innovative, strategic, and resourceful with every dollar we spend. We have our entire team in place, minus one critical position. We need a gifted DP to join our elite team. We are eager to work with a tremendous city-based production company or cinematographer who calls St. Louis home. If you know a great cinematographer who would like to join us, please have them email me at ron@storysmart.net. Why We’re Still Seeking Donor Support Even with the RAC grant, bringing this film to life in the way it deserves will take more. Animation, archival licensing, original score composition, color grading, distribution planning—it all adds up. And some of this can't be sourced in a way that fits grant guidelines. And because of the ambitious deadline, we’ll need to scale quickly without cutting corners. That’s where you come in. We’re seeking additional donor support to help us: Expand our animation sequences and visual storytelling capacity. Secure the rights to key archival materials that deepen the film’s historical accuracy. Shoot at least a couple of interviews with key individuals who live outside our region, including the Philippines. Invest in editorial and post-production tools that allow us to move efficiently without sacrificing quality. Ensure the finished film reaches the broadest possible audience, from film festivals to classrooms to international broadcast platforms. Your contribution—no matter the size—helps ensure that Dr. Taca’s story is told with the care, accuracy, and cinematic impact it deserves. If you believe in the power of truth-telling… if you value stories that connect communities and illuminate buried history… we hope you’ll consider becoming a supporter. Click here to donate Learn more about our film at steakguerrilla.com A Final Word: Why This Story Matters Now We often think history is distant, locked away in textbooks or museums. But A Steak Guerrilla in St. Louis reminds us that history is constantly being rediscovered—sometimes in our backyard. It’s a reminder that exile doesn’t silence the truth, that one person in one city can stand up to a dictator and change the course of a narrative written in lies, and that the work of defending democracy happens quietly, persistently, and often without recognition. Now, it’s time to give that recognition. With this grant—and with your support—we’re going to finish the film. And when we do, we’ll bring a hidden chapter of St. Louis history that reverberates far beyond our city limits. Thank you for sharing this journey with us, and a special thanks to each member of our talented filmmaking team. I'm grateful for your willingness to work to bring this story to the screen, your patience through this process, and your unselfish (uncompensated) work to make it happen. I have no doubt it will all be worth it! --Ron Watermon, Executive Producer & Director, A Steak Guerrilla in St. Louis: The Dr. Arturo M. Taca Story
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