Remembering Lou Brock - The Great Storyeller

Ron Watermon • September 9, 2020

My Story Of Working With My Childhood Hero Who Shared His Gift of Storytelling

September 9, 2020 - While most will remember Lou Brock as an extraordinary baseball player, I will also remember him as a great storyteller.

Lou Brock had a way with words. And he loved to tell stories. Ask anyone who knew him, Lou could talk. He was a real “ Chatty Cathy ” as my son Charlie would say. It is one of many things I loved about Lou Brock.

It was Lou’s gift for gab that got him into baseball in the first place. That is a true story that I will share with you shortly, along with a few other stories as I reflect on my friend Lou Brock.

Who Was Lou To Me?

Lou Brock was my childhood hero. Lou was the player I most identified with as a young boy as I began to fall in love with Cardinals baseball.

As an adult working for the St. Louis Cardinals, I was fortunate to really get to know him. The more I worked with him and got to know him, the more I loved Lou.

How I First Fell In Love With Lou Brock

I didn’t go to many baseball games as kid. It just wasn’t something we did as a family led by a young widow. You see, my father died when I was five years old.

My dad was a staff Sergeant in the United States Air Force. When my dad died suddenly in July 1972, our family was stationed at base just outside of Madrid, Spain.

After my father's funeral, my mom, my sister and I came home to St. Louis, moving in with my Aunt and Uncle. I started Kindergarten from their house. A short time later, my mom bought a house in the same neighborhood and school district to raise both my sister and me.

The man who first took me to a Cardinals game was a neighbor. The neighbor was my friend Jeff’s dad – Mr. Stegen - who was a St. Louis County Police officer. While I’m not sure, I believe that first game was in 1975. All I really know it was KSD-TV Night at the ballpark because the team gave out a photograph of Lou Brock stealing his 105th base with his “autograph” in the corner.

That keepsake, which I still have today, was the beginning of my affection for Lou Brock. He immediately became my favorite. The baseball world revolved around Lou Brock as far as I was concerned.

I remember that the next time Mr. Stegen took us to a game, he corrected me when I thought the Musial statue was Lou Brock. "That is Stan the Man," I remember Mr. Stegen saying, "The Greatest Cardinal".

My mistake was more a reflection of my affinity for Lou Brock and my immature baseball knowledge at that time rather than any artistic critique of the iconic St. Louis landmark.

Simply put, Lou was to me, what Yadi has been to my son Charlie. Our first baseball hero.

Getting to Know Lou Brock The Storyteller

One of my fondest memories of my time with the St. Louis Cardinals was a March 2012 trip I made to Little Rock, Arkansas to help coordinate the dedication of the “Play Ball” exhibit at the Clinton Presidential Center.

The exhibit was a joint effort with the St. Louis Cardinals Museum - which was “virtual” at that point - awaiting construction of a new home that would be completed with the construction of phase one of Ballpark Village in 2014.

As an Arkansas native and friend of President Clinton, Lou Brock was representing the team to dedicate the exhibit as the leader of our Cardinals delegation. I was there in my role as the PR Director, along with a distinguished group of colleagues from our front office.

It was a memorable trip, special to me on so many different levels.

I’ll never forget the conversation I had with Lou prior to him going to the podium to say a few words as part of the dedication ceremony to open the exhibit. We spoke from the green room upstairs at the Clinton Center while Fredbird was downstairs warming up the crowd.

Lou asked me if it was appropriate to share a story about Arkansas native Johnny Sain being the first pitcher to face Jackie Robinson. He wanted to know if I thought it was appropriate for him to talk about the issue of race in such a setting as a team representative.

While I honestly didn’t think he needed to run his remarks past me, I was grateful that he did. After learning a bit more about the Johnny Sain story, I told Lou that a presidential library was the ideal setting for such remarks. The library was designed to echo Clinton’s campaign promise to build a “bridge to the 21st century,” which included the desire to break down the racial barriers that divide us.

My advice was to speak from the heart.

He did just that. It was vintage Lou. He had everyone’s attention throughout his heartfelt remarks. I learned a lot that night. About baseball, race, politics and the humble kindness of Lou Brock.

It was such a wonderful time for me on so many different levels. Lou and Jackie couldn’t have been more generous with their time with everyone. I believe they were having as much fun as the rest of us.

Following the dedication ceremony, we were given a private tour of the new exhibit and the Presidential archives below the museum. We also went out to dinner with the full group – the Clinton team and our Cardinals entourage. Lou held court. He told dozens of stories.

Each one better than the one before.

Video Storytelling With Lou Brock

While I haven’t been able to find the video on the Cardinals website, we produced a video news story about the Play Ball exhibit opening. It was one of the first professional video news stories we did as a department that we shared on our website and social media. This was very early in our video brand journalism storytelling work.

We had started dabbling with video in 2010 with the launch of the Stand for Stan campaign.

At that point in our evolution, I had a vision for our PR department to consistently share the team’s story using video. I didn’t care if we used a flip cam, an iPhone, a DSLR or a professional ENG camera – so long as we were telling an authentic story.

I remember at that time thinking we had just upped our game in a big way by recruiting someone who had experience in video storytelling and blogging for the American Red Cross.

On that trip, I had Lindsey Weberwho had just joined our team earlier that week, join us to shoot a video news story on her DSLR. She did a great job. Lou couldn’t have been more accommodating to us as we were giving birth to our professional video storytelling work.

Flash forward to 2016. At this point, we were “all in” with video storytelling – having hired two multi-media journalists and having taken over the production of a seasonal, weekly magazine TV show called Cardinal Nation (t hat we rebranded to Cardinals Insider to reflect our commitment to brand journalism from the team POV).

My life was consumed with producing Cardinals Insiderin 2016. The refreshed magazine television show was hosted by Lindsey and produced by our small department. We were up to our eyeballs in work that year.

At that same time, we were also preparing #STLisLou, a social media campaign to honor Lou Brock during the 2016 season.

During that off-season, Lou had a serious health scare. He was hospitalized for more than four months fighting an infection and his left leg was amputated below knee. For months, rumors circulated about his condition and concern for his well-being permeated Cardinals Nation.

After getting home from the hospital, Lou agreed to do his first on-camera media interview with us for our new Cardinals Insider TV show. It was a big deal for us to have that exclusive as we were pioneering our approach video brand journalism. We conducted the interview from the basement of Lou’s home. It was the perfect location.

In his interview with Stan McNeal that we aired on our 6th episode that season , Lou told the story about how a small scratch on his leg became infected and resulted in a fight for his life.

After we finished filming the segment, as we were breaking down our equipment, I asked Lou how he got started in baseball. When I casually asked the question, it was as if I turned a magic key to unlock a special door.

Lou lit up as he shared his personal story.

TRUE STORY - Lou's Gift for Gab Launched a Hall of Fame Career in Baseball

I wish we had been rolling as Lou shared his extraordinary story with us. As Lou spoke, he used the images, trophies and other ephemera in the room to illustrate the story for how he got into baseball.

He told us that his gift for gab got him in trouble in elementary school. He said he talked too much. So much so that it got him in trouble with his teacher.

As a punishment for disrupting the class, Lou’s teacher had him read a book. And write a book report. Lou could select any book in the classroom for the assignment. He chose a book from a bookshelf in the back of the classroom. It was filled with books. He selected a book about baseball.

He said that book sparked his interested in the game of baseball. Lou said he started to play sandlot baseball with his friends because of that book. He said he didn’t really play organized baseball until the 11th grade.

Lou told us that he received an academic scholarship to college. After his first semester in college, Lou said he was concerned about losing his scholarship because of a grade in a class. Lou said he tried out for the college baseball team so he could remain in school.

Lou told us that he struggled a bit in the beginning, but that he eventually got better. Later, his college team went on to win the NAIA championship.

Lou’s play on that college team earned him an invitation to join the United States team. He told us, as he asked someone to pull a photograph off the wall, that his big break came from the Pan American games where an MLB scout saw him play. He told us the rest of the story is history.

I remember my reaction at the time was pure astonishment. Wow! I had never heard that story!

It seemed like so many elements had to fall so perfectly into place for the son of a sharecropper to become one of the greatest players in MLB history.

What if he had picked a book about soccer? Quantum physics? What if he did just a little better in that college class? What if he gave up when he struggled a bit?

The way he told his story – in his own words – using his keepsakes as both prompts and props was cinematic. It was also inspirational.

As I drove back to the ballpark that afternoon, my mind was filled with ideas on how we could use our developing video storytelling unit to capture the personal stories of our Hall of Famers. We could help bring them alive by illustrating them with their own photo and ephemera collections, which we could digitize as part of the team’s archive.

How cool would it be to get Lou’s story in his own words? Reds? Gibby’s? Whiteys? All of our Hall of Famers?!

They weren’t getting any younger. We could preserve their stories in their own words and share them with future generations. We could also preserve their personal collections to share digitally with family and even fans.

While we all felt a sense of urgency to make that happen, I regret that we didn’t.

The work of producing a TV show, coupled with the daily grind of keeping up with our baseball responsibilities didn’t allow much staff bandwidth to make it happen. It fell down the priority list.

While I regret we didn’t get Lou’s life story in his own words on camera, I’ll be forever grateful that he took the time to share it with us that afternoon. I’ll hold onto Lou’s stories and my many memories of him.

I’ll forever remember Lou Brock as my childhood hero, a great player, a good man and a beautiful storyteller. #RIPLou #STLisLou

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July 22, 2025, St. Louis, MO - There’s a line in Jerry Maguire that has always stuck with me. Young Ray asks his mom, “What’s wrong, Mom?” And she replies: “ First class is what’s wrong, honey. It used to be a better meal. Now it’s a better life. ” That line hits hard. Because access—access to opportunity, tools, and professionals—changes everything. And when it comes to storytelling, access has long been unequal. For decades, only a small group of insiders had the power to tell stories at the highest level. If you weren’t already in Hollywood or publishing, your story stayed in coach—often ignored, misrepresented, or lost. I wrote STORYSMART® Storytelling for ALL to change that. This book is a roadmap. It’s designed to give you—whether you’re a public figure, entrepreneur, athlete, or someone with a life story worth telling—the same tools used by insiders. The same strategies that power studios, presidents, billion-dollar production companies, and bestselling memoirs. It’s also deeply personal. I’ve seen too many remarkable true stories disappear because people didn’t know how to protect them—or worse, were taken advantage of. I’ve felt like an outsider myself. And I know what it means to want your story told right. That’s why I developed the STORYSMART® Framework. To empower people with meaningful stories to protect their rights, preserve their vision, and share it with the world—on their own terms. I’m making the Author’s Note from the book available as a free PDF download as part of this post. And if you’ve got 90 seconds, I invite you to watch the short video message from me below. This is your story. Let’s tell it the right way. About The Book In a world hungry for authentic narratives, STORYSMART® Storytelling for ALL™ : How to Take Control, Own Your True Story and Profit Like a Hollywood Insider delivers a rare insider’s guide to turning a true story into a cultural and financial asset while maintaining control. Designed for public figures, entrepreneurs, and individuals with powerful life stories, the book introduces the STORYSMART® Way, a step-by-step framework to organize, preserve, and professionally develop your story for books, film, and television. The book pulls back the curtain on how stories move through publishing, Hollywood, and streaming—and empowers readers to navigate the process like seasoned insiders. Topics include copyright and licensing, collaborating with elite-level professional filmmakers and ghostwriters, developing a pitch-ready treatment, and monetizing true stories through publishing, streaming, and merchandising. STORYSMART Storytelling for ALL is available currently as both a paperback and e-book. It will be available soon be in hardcover and audiobook formats. About the Author Ron Watermon is the founder of STORYSMART®, a cinematic storytelling consulting service and story development film studio. A lawyer, filmmaker, and Emmy-nominated television producer and writer, Ron’s led strategic communications for an MLB team, advised high-profile clients, and has produced both film and television productions. Ron lives in St. Louis with his family. Learn more about Ron at storysmart.net and ronwatermon.com #STORYSMART #StorytellingForAll #NewBook #MediaRights #TrueStories #BookLaunch
By Ron Watermon April 24, 2025
We are honored to share some big news. Our documentary, A Steak Guerrilla in St. Louis: The Dr. Arturo Taca Story, has been selected as one of five projects to receive funding from the St. Louis Film Project , a collaboration between the Regional Arts Commission (RAC) of St. Louis and Continuity . This recognition comes from a highly competitive pool of 115 applicants. The grant—up to $100,000—represents a decisive vote of confidence in our story and our approach to telling it. It also offers meaningful momentum as we enter the next phase of production. Most importantly, it reinforces what we believe: Dr. Arturo Taca’s story matters and deserves to be told. A Story Rooted in St. Louis — and Felt Across the World “A Steak Guerrilla in St. Louis” is a documentary rooted in the unlikely convergence of midwestern Americana and Filipino resistance. It follows the story of Dr. Arturo M. Taca, a Filipino surgeon and political exile who made St. Louis his home while taking a stand against Ferdinand Marcos's brutal dictatorship. Before terms like “fake news” and “disinformation” became common in American discourse, Dr. Taca uncovered the truth behind the Philippine president's fraudulent war record. That investigation began here—in dusty archives just outside of St. Louis—and set off a chain of events that toppled a brutal dictator. Our film uses a hybrid storytelling format, combining animated reenactments, interviews, and archival research to tell this story in an emotionally resonant and visually striking way. The Grant That Helps Make It Possible The St. Louis Film Project grant, funded through RAC and administered by Continuity, is part of an initiative to uplift the film community in St. Louis. RAC’s press release states that the fund was created to “support local filmmakers and organizations to tell stories rooted in St. Louis.” The evaluation process was rigorous. “Choosing five projects from over 100 submissions was no easy feat," said Vanessa Cooksey, President of RAC. "The talent and stories presented were incredible.” That’s why being one of the five chosen is more than just a financial boost—it affirms this story’s value and connection to our community. It means much to us, and we don’t take it lightly. A Delayed Start But a Firm Deadline While the grant announcement arrived months later than initially expected, we’ve been working behind the scenes to be ready to go once we receive funding. With this grant officially in place, we’re full steam ahead. The grant contractually obligates us to deliver the completed film by January 2026. That’s a fast turnaround in documentary filmmaking, especially for a story with historical depth, international relevance, and a visual style that blends live action with animation. That means every day counts. While the grant covers significant production costs, it also comes with essential parameters: 75% of funds must be spent within the City of St. Louis. We’re proud of that requirement—it aligns with our belief in investing locally and elevating regional talent. But it also means we must be innovative, strategic, and resourceful with every dollar we spend. We have our entire team in place, minus one critical position. We need a gifted DP to join our elite team. We are eager to work with a tremendous city-based production company or cinematographer who calls St. Louis home. If you know a great cinematographer who would like to join us, please have them email me at ron@storysmart.net. Why We’re Still Seeking Donor Support Even with the RAC grant, bringing this film to life in the way it deserves will take more. Animation, archival licensing, original score composition, color grading, distribution planning—it all adds up. And some of this can't be sourced in a way that fits grant guidelines. And because of the ambitious deadline, we’ll need to scale quickly without cutting corners. That’s where you come in. We’re seeking additional donor support to help us: Expand our animation sequences and visual storytelling capacity. Secure the rights to key archival materials that deepen the film’s historical accuracy. Shoot at least a couple of interviews with key individuals who live outside our region, including the Philippines. Invest in editorial and post-production tools that allow us to move efficiently without sacrificing quality. Ensure the finished film reaches the broadest possible audience, from film festivals to classrooms to international broadcast platforms. Your contribution—no matter the size—helps ensure that Dr. Taca’s story is told with the care, accuracy, and cinematic impact it deserves. If you believe in the power of truth-telling… if you value stories that connect communities and illuminate buried history… we hope you’ll consider becoming a supporter. Click here to donate Learn more about our film at steakguerrilla.com A Final Word: Why This Story Matters Now We often think history is distant, locked away in textbooks or museums. But A Steak Guerrilla in St. Louis reminds us that history is constantly being rediscovered—sometimes in our backyard. It’s a reminder that exile doesn’t silence the truth, that one person in one city can stand up to a dictator and change the course of a narrative written in lies, and that the work of defending democracy happens quietly, persistently, and often without recognition. Now, it’s time to give that recognition. With this grant—and with your support—we’re going to finish the film. And when we do, we’ll bring a hidden chapter of St. Louis history that reverberates far beyond our city limits. Thank you for sharing this journey with us, and a special thanks to each member of our talented filmmaking team. I'm grateful for your willingness to work to bring this story to the screen, your patience through this process, and your unselfish (uncompensated) work to make it happen. I have no doubt it will all be worth it! --Ron Watermon, Executive Producer & Director, A Steak Guerrilla in St. Louis: The Dr. Arturo M. Taca Story
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