Video Storytelling for Associations

Ron Watermon • August 7, 2021

The Synergistic Power of Owning & Sharing Stories With Members

St. Louis, MO – August 2021 – Associations are in a powerful position to build their community and further their mission by sharing video stories that they own.

The way media is shared today is unlike any other time in the history of humanity.

Any brand with a website is essentially an online media outlet capable of connecting with anyone anywhere in the world. Anyone can create and share content directly with an audience. The barrier to entry to sharing stories is lower than ever in human history.

Associations are in a uniquely powerful position with this new media landscape.

Associations are able to strategically share stories digitally that can reach an even larger audience. That is particularly true if they own the storythey share because they can empower their members to share it too by simply giving it them.

For our purposes, I would define an “association” as a ny group of people or organizations that are organized around a joint purpose or shared mission.

An association could be the local Chamber of Commerce. An association could be special business district, community improvement district or other taxing or special assessment district. It could also be a non-profit organization like the United Way , the Urban League or any other membership driven group.

PUT A FACE TO YOUR MISSION BY TELLING A STORY

Successful mission-driven organizations raise money by putting a face to their mission. The best way to do that is by sharing an authentic story that shows their mission at work in the real world.

Today, an association has the ability to affordably create and share an authentic story using video. The association can share it directly through their website blog, via social media and an email newsletter. Using video storytelling is a practical and tactical way of being StorySMART with their story.

StorySMART's #mySTLbiz Small Business Profile Series

StorySMART created our #mySTLbiz small business profile as an example of how an association might undertake a virtual video storytelling approach to highlight members.

#mySTLbiz is a templated single-interview short video news feature where a business owner tells us about their business in their own words through an interview I conduct over zoom.

We developed the series to help small businesses in our #greaterSTL community, while also showcasing our unique approach to brand journalism.

Brand Journalism Is Used Effectively By Associations

Video Brand Journalism Is Ideal In A Search Driven World

We believe video brand journalism is the easiest and best approach to video storytelling in a world driven by search.

Consumers online crave honest, authentic video content that is responsive to their search query. They want to be told, not sold.

If you run an association, you should be investing in video storytelling. You should be sharing those stories directly with your members. And you should be doing it consistently. Monthly or more frequently.

You should also be asking your members to share those stories with their brand community.

When you do those simple things, you will reap the rewards of the synergy of sharing stories.

FACT: when you own a story, you can give it to anyone you want as a gift (or through a license).

So if you run a chamber of commerce, you could do a member profile once a month. You could share it on your blog, via your social media and even in your monthly newsletter. Then you could also give that story to your member to share on their blog, via their social media and via their email newsletter.

When you do those simple things consistently, you will get a routine in place that grows your mission and strengthens your association.

CASE STUDY - Downtown STL Inc.

Let me share an example of where this simple insight first came into focus for me.

For over a decade, when I worked with the St. Louis Cardinals, I served on one of the boards of Downtown STL Inc. I loved my time as a civic volunteer with this group because I share their passion for downtown.

Downtown St. Louis is the downtown for our entire region. No matter where you live in this vast 15 county region - we all share this one important neighborhood. While that is my point of view, that perspective isn't shared by everyone in our region. The fact of the matter is that many in our region hold the perception of Downtown St. Louis as being an unsafe or under desirable place.

That perception is a problem that DSI sought to overcome.

In 2016, at the exact same time that I was building the Cardinals video storytelling unit and producing a weekly magazine TV show called Cardinals Insider , I participated in a brainstorming session about how we might improve the image of downtown St. Louis.

Missy Kelley, the CEO of Downtown STL , had convened a group of marketing & PR experts to develop some practical ideas DSI could implement.

As anyone in our region can attest, Downtown St. Louis has had an unfair share of negative headlines over the years.

From a practical standpoint, every time a crime would occur downtown, Missy would do media interviews about the collective efforts underway to keep downtown safe for residents, workers and visitors.

While Missy would do a good job with these interviews, the fact is she was on defense with her PR.

I hated when I was on PR defense with the Cardinals.

In Missy's role (and in my role at that time) that posture is inevitable. It comes with the territory. The media were just doing their job. That said, the media coverage about Downtown seemed to be more focused on the bad news.

We needed a way to highlight the good news happening every day downtown. The fact was - and is - that there are so many good stories to tell about what is going in our region’s downtown. Many wonderful stories go untold.

Missy assembled a group of us ( Brian Hall of Explore St. Louis, Lindsay Van Quaethem who led DSI's communications, Jim Woodcock of Fleishman Hillard and others) during the summer of 2016 to talk about strategies to share those positive stories.

As a group, we came up with idea of creating a news website called #mySTL to share authentic stories about what was going on downtown. The hashtag name was a way for us to convey the idea of shared community ownership.

This is my city. These are my stories.

The hashtag approach was also a way to eventually encourage user (or member) generated content. When that happens with your association (others sharing their stories using a common hashtag), you can expect synergistic results.

For example, your member does a story and shares it with the association. The association shares it with the other members.

You get the idea here. We all gather around the fire and tell stories. In this case, the campfire is replaced by the internet, social and digital media.

The idea behind the #mySTL video storytelling effort was fairly simple.


  • DSI would hire a full-time MMJ (multi-media journalist)
  • DSI would equip them with a nice camera, computer and editing equipment.
  • DSI would task that person with doing a single story per week about something wonderful happening downtown.

I envisioned that we would hire a good reporter away from one of the local TV stations.

Most reporters working at a TV station have to do a single story per day, so we reasoned that a single story per week would be very doable if we hired an experienced, trained journalist.

The journalist working for DowntownSTL would produce an honest authentic video news story with a written blog post. That story would be shared on the new shared news site.

Downtown STL would also share the story as well on their website and within their weekly email newsletter.

Then, and this is key best practice, they would also give the story to whoever was being featured within the story for them to share as well.

So, for example, if the story was about a small business owner who opened a clothing store on Washington Avenue, the owner would be given the story to share that story through their facebook page, email newsletter and website.

Needless to say, I absolutely loved this idea that the group generated!

The idea lined up perfectly with the video storytelling strategy we were trying to implement with the St. Louis Cardinals -- i.e. sharing stories directly with our fans.

I thought the DSI effort would be an amazing approach that would gradually build an audience and a community one story at a time. It was practical and tactical. It was also SMART.

Instead of creating a full-time position, that fall Missy and her staff decided to sponsor an RFP process to find potential vendors to provide a full scope of PR services including video storytelling. They selected a vendor and moved forward trying to implement the approach.

While I left the organizations board in 2018, I watched them try to implement elements of the storytelling idea. It fell short of my expectations, but I think that was a function of the multiple staff and consultant changes the organization has gone through over the last five years.

The fact that it fell short doesn't diminish the fact that it was a good idea.

While they fell short, a wonderful direct storytelling effort that was born of the Arch-To-Park Initiative.

Today, the #STLmade effort ( thestl.com ) is a great example of taking that authentic storytelling approach for our entire region. While there isn't a high-volume of stories being told, it is high quality storytelling.

I'd love to see that effort grow at some point into a digital newsroom of reporters telling even more stories. I could see it working like a real newsroom with an enterprise model that empowers reporters to come up with stories. It wouldn't be hard to make that happen or require a huge investment.

The region could tap into taxpayer media outlets like HEC , STL TV and the other local access cable franchises in Missouri and Illinois. Those outlets already invest millions of dollars into some of the highest quality storytelling in our region, employing some of the best journalists in our town. I could see a collaborative model that could elevate our game using an association like model. A combined public and private storytelling effort could be a game changer for our region.

Las Vegas has an interesting model that seems to combine public and private resources to communicate in a relevant digital way. It would be good for our civic leaders and elected officials to look at some of those models.

Implementing The Modern Model of Storytelling

We must all recognize that today it is all about the shareable link and search.

Even when someone goes on TV, the next day they want to share the link from the story with their community. I know I'm more likely to watch the link online than actually watch something live anymore. I suspect I am not alone.

It is within that simple practice of sharing a link to an authentic story that the power of an association can be fully optimized. I suppose you can call it the network effect.


  1. The association creates a story.
  2. The association shares it.
  3. The association gives the story to their network to share directly.
  4. Each member of the network shares the story via their website, email & social.
  5. Rinse and repeat.

When you do that consistently, you are not only sharing stories, you are building a brand community. That is the synergistic power of owning and sharing stories.



By Ron Watermon October 21, 2025
When Deadline first reported that Bruce Springsteen’s Deliver Me From Nowhere was headed for the screen, I expected it would be more than another typical music biopic because it was based on a book that focused on a sliver of Springsteen’s life. That “sliver” was a singular defining period of Springsteen’s life. When I wrote my book, I took note of the fact that when Hollywood came calling, they first reached out to Warren Zanes who wrote the book and not Springsteen himself. I was trying to make the point about the importance of securing storytelling source material. The real work in telling a story is that of the author. Writing a great story isn’t easy. When it happens, someone in Hollywood is bound to notice. What I didn’t fully appreciate until now is that Springsteen’s story to screen journey is a masterclass in focus — a case study in how a single defining period, a writer who truly understands his subject, and a team of champions can move a story from the page to the screen in record time. Zane’s book was published 2023. A little more than two years later, the film is being released. That is amazing in of itself, but the approach to the story told is also instructive. Most people think you need your whole life story to make a film. Springsteen — and Warren Zanes — show us you don’t. It can be a sliver. The story behind this storytelling is a Boss lesson in storytelling that help you deliver your story from nowhere. 
By Ron Watermon October 13, 2025
Your Clear Eyes, Full Rights, Can't Lose Playbook.  If you’ve ever watched Friday Night Lights, you know the phrase: Clear eyes, full hearts, can’t lose. It’s the mantra Coach Taylor preached to his team. But when I look at the 35-year storytelling journey of Friday Night Lights—from a reporter’s notebook to a bestselling book, then a film, a beloved series, and now talk of a reboot—I see a slightly different mantra: Clear eyes, full rights, can’t lose. Because underneath the inspirational football story is a lesson we can draw from in how one journalist’s immersive reporting became a durable, multi-platform franchise. And for me, it’s a perfect demonstration of a pathway we advocate for at STORYSMART®. It all starts with investing in good clear-eyed journalism. It is the single most important investment you can make in developing a true story. When you take control of your source material to tell a true story and develop your story properly, your story can live on for years far beyond the page. I’m a big proponent for adopting a story franchise mindset when approaching storytelling projects. That is why I tell clients to think like a studio executive by adopting a media mogul mindset. When you open your mind to that, it opens the doors of possibilities. The storytelling journey of Friday Night Lights helps illustrate what is possible, as well as offer other lessons on what to do and not do in designing your own professional storytelling path. How a reporter’s notebook became a franchise In 1990, journalist Buzz Bissinger published Friday Night Lights: A Town, a Team, and a Dream. It wasn’t just another sports book. He moved his family to Texas to immerse himself in this story. Bissinger spent a year in Odessa, Texas, embedded with the Permian High School Panthers, capturing the obsession, pressure, and community identity that revolved around high school football. He conducted hundreds of hours of interviews and built his narrative from a deep archive of source material. Every interview he conducted is his work product, what I often refer to as copyright protected storytelling source material. Make note of that. That depth of Buzz’s reporting gave the book credibility. It also gave it power as intellectual property. It was a fantastic book that was a hit.
By Ron Watermon October 3, 2025
The NCAA just approved new guidance on NIL (Name, Image, and Likeness) deals — and while the headlines mostly talk about money, what’s really at stake here is storytelling. Starting this past August, athletes have had to disclose NIL agreements over $600. Schools will help monitor and even facilitate opportunities, and standardized contracts are being promoted to protect athletes. Meanwhile, new rules for collectives are meant to stop disguised pay-for-play deals while still allowing legitimate business arrangements. ( Full NCAA release here )​ On the surface, this might sound like dry compliance policy. But here’s the STORYSMART® takeaway: Transparency is power. The clearer your contracts and disclosures, the harder it is for someone else to hijack your story or exploit your image. Standardization levels the playing field. Whether you’re a star quarterback or a swimmer at a smaller program, having clear terms makes it easier to protect your rights. Your story is the real asset. NIL isn’t just about a jersey deal or an autograph session. It’s about controlling your narrative — the way your life, your legacy, and your values are presented to the world. ​ This guidance is another reminder that athletes — like families, public figures, and estates — need to see their story as intellectual property. The athletes who win aren’t just the ones who score on the field; they’re the ones who invest in how their story is told off the field. ​ STORYSMART® Rule of Thumb: Don’t just cash a check. Build a story that grows in value over time.
By Ron Watermon October 1, 2025
At it's heart, STORYSMART® is about democratizing access to elite-level professional storytelling. Storytelling has been controlled by gatekeepers for far too long.
By Ron Watermon September 24, 2025
The Studio offers a behind-the-scenes look at the chaos of Hollywood, but there are lessons about what the industry gets right & wrong about storytelling.
By Ron Watermon September 14, 2025
Storytelling for ALL™ LinkedIn Newsletter Vol. 3
By Ron Watermon September 14, 2025
Storytelling for ALL™ LinkedIn Newsletter Vol. 2
By Ron Watermon September 14, 2025
Storytelling for ALL ™ LinkedIn Newsletter Vol. 1
By Ron Watermon July 21, 2025
July 22, 2025, St. Louis, MO - There’s a line in Jerry Maguire that has always stuck with me. Young Ray asks his mom, “What’s wrong, Mom?” And she replies: “ First class is what’s wrong, honey. It used to be a better meal. Now it’s a better life. ” That line hits hard. Because access—access to opportunity, tools, and professionals—changes everything. And when it comes to storytelling, access has long been unequal. For decades, only a small group of insiders had the power to tell stories at the highest level. If you weren’t already in Hollywood or publishing, your story stayed in coach—often ignored, misrepresented, or lost. I wrote STORYSMART® Storytelling for ALL to change that. This book is a roadmap. It’s designed to give you—whether you’re a public figure, entrepreneur, athlete, or someone with a life story worth telling—the same tools used by insiders. The same strategies that power studios, presidents, billion-dollar production companies, and bestselling memoirs. It’s also deeply personal. I’ve seen too many remarkable true stories disappear because people didn’t know how to protect them—or worse, were taken advantage of. I’ve felt like an outsider myself. And I know what it means to want your story told right. That’s why I developed the STORYSMART® Framework. To empower people with meaningful stories to protect their rights, preserve their vision, and share it with the world—on their own terms. I’m making the Author’s Note from the book available as a free PDF download as part of this post. And if you’ve got 90 seconds, I invite you to watch the short video message from me below. This is your story. Let’s tell it the right way. About The Book In a world hungry for authentic narratives, STORYSMART® Storytelling for ALL™ : How to Take Control, Own Your True Story and Profit Like a Hollywood Insider delivers a rare insider’s guide to turning a true story into a cultural and financial asset while maintaining control. Designed for public figures, entrepreneurs, and individuals with powerful life stories, the book introduces the STORYSMART® Way, a step-by-step framework to organize, preserve, and professionally develop your story for books, film, and television. The book pulls back the curtain on how stories move through publishing, Hollywood, and streaming—and empowers readers to navigate the process like seasoned insiders. Topics include copyright and licensing, collaborating with elite-level professional filmmakers and ghostwriters, developing a pitch-ready treatment, and monetizing true stories through publishing, streaming, and merchandising. STORYSMART Storytelling for ALL is available currently as both a paperback and e-book. It will be available soon be in hardcover and audiobook formats. About the Author Ron Watermon is the founder of STORYSMART®, a cinematic storytelling consulting service and story development film studio. A lawyer, filmmaker, and Emmy-nominated television producer and writer, Ron’s led strategic communications for an MLB team, advised high-profile clients, and has produced both film and television productions. Ron lives in St. Louis with his family. Learn more about Ron at storysmart.net and ronwatermon.com #STORYSMART #StorytellingForAll #NewBook #MediaRights #TrueStories #BookLaunch
By Ron Watermon April 24, 2025
We are honored to share some big news. Our documentary, A Steak Guerrilla in St. Louis: The Dr. Arturo Taca Story, has been selected as one of five projects to receive funding from the St. Louis Film Project , a collaboration between the Regional Arts Commission (RAC) of St. Louis and Continuity . This recognition comes from a highly competitive pool of 115 applicants. The grant—up to $100,000—represents a decisive vote of confidence in our story and our approach to telling it. It also offers meaningful momentum as we enter the next phase of production. Most importantly, it reinforces what we believe: Dr. Arturo Taca’s story matters and deserves to be told. A Story Rooted in St. Louis — and Felt Across the World “A Steak Guerrilla in St. Louis” is a documentary rooted in the unlikely convergence of midwestern Americana and Filipino resistance. It follows the story of Dr. Arturo M. Taca, a Filipino surgeon and political exile who made St. Louis his home while taking a stand against Ferdinand Marcos's brutal dictatorship. Before terms like “fake news” and “disinformation” became common in American discourse, Dr. Taca uncovered the truth behind the Philippine president's fraudulent war record. That investigation began here—in dusty archives just outside of St. Louis—and set off a chain of events that toppled a brutal dictator. Our film uses a hybrid storytelling format, combining animated reenactments, interviews, and archival research to tell this story in an emotionally resonant and visually striking way. The Grant That Helps Make It Possible The St. Louis Film Project grant, funded through RAC and administered by Continuity, is part of an initiative to uplift the film community in St. Louis. RAC’s press release states that the fund was created to “support local filmmakers and organizations to tell stories rooted in St. Louis.” The evaluation process was rigorous. “Choosing five projects from over 100 submissions was no easy feat," said Vanessa Cooksey, President of RAC. "The talent and stories presented were incredible.” That’s why being one of the five chosen is more than just a financial boost—it affirms this story’s value and connection to our community. It means much to us, and we don’t take it lightly. A Delayed Start But a Firm Deadline While the grant announcement arrived months later than initially expected, we’ve been working behind the scenes to be ready to go once we receive funding. With this grant officially in place, we’re full steam ahead. The grant contractually obligates us to deliver the completed film by January 2026. That’s a fast turnaround in documentary filmmaking, especially for a story with historical depth, international relevance, and a visual style that blends live action with animation. That means every day counts. While the grant covers significant production costs, it also comes with essential parameters: 75% of funds must be spent within the City of St. Louis. We’re proud of that requirement—it aligns with our belief in investing locally and elevating regional talent. But it also means we must be innovative, strategic, and resourceful with every dollar we spend. We have our entire team in place, minus one critical position. We need a gifted DP to join our elite team. We are eager to work with a tremendous city-based production company or cinematographer who calls St. Louis home. If you know a great cinematographer who would like to join us, please have them email me at ron@storysmart.net. Why We’re Still Seeking Donor Support Even with the RAC grant, bringing this film to life in the way it deserves will take more. Animation, archival licensing, original score composition, color grading, distribution planning—it all adds up. And some of this can't be sourced in a way that fits grant guidelines. And because of the ambitious deadline, we’ll need to scale quickly without cutting corners. That’s where you come in. We’re seeking additional donor support to help us: Expand our animation sequences and visual storytelling capacity. Secure the rights to key archival materials that deepen the film’s historical accuracy. Shoot at least a couple of interviews with key individuals who live outside our region, including the Philippines. Invest in editorial and post-production tools that allow us to move efficiently without sacrificing quality. Ensure the finished film reaches the broadest possible audience, from film festivals to classrooms to international broadcast platforms. Your contribution—no matter the size—helps ensure that Dr. Taca’s story is told with the care, accuracy, and cinematic impact it deserves. If you believe in the power of truth-telling… if you value stories that connect communities and illuminate buried history… we hope you’ll consider becoming a supporter. Click here to donate Learn more about our film at steakguerrilla.com A Final Word: Why This Story Matters Now We often think history is distant, locked away in textbooks or museums. But A Steak Guerrilla in St. Louis reminds us that history is constantly being rediscovered—sometimes in our backyard. It’s a reminder that exile doesn’t silence the truth, that one person in one city can stand up to a dictator and change the course of a narrative written in lies, and that the work of defending democracy happens quietly, persistently, and often without recognition. Now, it’s time to give that recognition. With this grant—and with your support—we’re going to finish the film. And when we do, we’ll bring a hidden chapter of St. Louis history that reverberates far beyond our city limits. Thank you for sharing this journey with us, and a special thanks to each member of our talented filmmaking team. I'm grateful for your willingness to work to bring this story to the screen, your patience through this process, and your unselfish (uncompensated) work to make it happen. I have no doubt it will all be worth it! --Ron Watermon, Executive Producer & Director, A Steak Guerrilla in St. Louis: The Dr. Arturo M. Taca Story
Show More