Stand for Stan - Timeless Lessons for All of Us

Ron Watermon • May 25, 2022

Social Campaign Insights Inform STORYSMART's Founder

NOTE - this blog post was initially published on the 10 year anniversary of the transformative social media campaign honoring the greatest Cardinals player in history. It is refreshed today with a special video.

May 25, 2022 - It was twelve years ago today, when I worked for the St. Louis Cardinals, that we launched the Stand for Stan social media campaign by tweeting images of people posing with a paper doll. At that time, the Cardinals had just over 5,000 followers on Twitter. The Cardinals relatively new to social media and social media itself was relatively new. By all accounts, it was an extraordinary campaign that demonstrated the power of social media, as well as the global reach of the brand behind the birds on the bat.

Our goal was to celebrate Stan Musial, the greatest Cardinal, while also trying to convince President Obama to Award Musial the Presidential Medal of Freedom – the highest honor a civilian can receive in the United States. It is the American equivalent of being knighted by the Queen.

We felt strongly that baseball’s perfect warrior, baseball’s perfect knight deserved the honor.

Stan was more than a great athlete.

Stan was a good man.

Stan Musial was a role model you would want your kids to emulate.

Get this - Stan Musial was never thrown out of a single game during his 22 seasons in Major League Baseball. How about that? Not once.

Stan embodied great sportsmanship. Today the Musial Awards , which celebrate extraordinary sportsmanship, bear his name.

As I look back at the campaign, I see what a profound role it has had on my understanding of modern communications and our path forward. It shifted my view of the world and gave me insights into communication that continue to fuel my work today.

Background

My idea for creating the campaign was born out of a personal sense of failure . We had made two prior attempts to get Musial the Medal of Freedom before we moved forward with the campaign. Up to that point, we had failed to convince two Presidents that the Man was worthy.

It was Senator Kit Bond’s idea to try to convince the President of the United States to award Musial the Medal of Freedom. The Senator approached the team during the twilight of President Bush’s administration. With the Senator's help, we took a run at it late in 2008. Despite Mr. DeWitt’s friendship with the President, we were not able to get it done. In the President’s defense, we were pretty late with the request. The bottom line: it was a swing and a miss .

The following year, after President Obama was sworn in, we took another run at it. While the effort remained behind the scenes from fans, we upped our game. We hired a professional writer to write a formal case statement on why Stan deserved the medal and we asked our regional Congressional delegation to help us make the case to the President. We pulled out a lot of stops to convince the White Sox Fan in the White House to honor the Man.

We honestly thought we had sealed the deal when we learned the President would attend the 2009 All-Star Game in St. Louis. But, alas, it was another swing and a miss . The day after the All-Star Game, I was exhausted and disappointed. I remember feeling like a complete failure.


Following the All-Star Game in St. Louis, in September 2009, I was asked to move into the Baseball Operations Department to begin working with the media relations unit, which had only two full time staffers. I was asked to learn the culture and help with baseball communications, as well as develop our business communication which had been outsourced to a PR agency. I was also expected to develop our approach to social media.

Social media was a relatively new thing then. I didn’t come from the sports information world like my new colleagues. Given my background in campaign and community work, I looked at things differently. To that end, I tried to focus my attention on new things that would add to the good work the two were already doing.

A lot was going on in my world in 2010. I lost my mother to cancer in February shortly after learning that my diabetic wife was pregnant. I lost a 110 pounds to get ready for being a dad. And I had a new job to figure out.

After a friend asked me to take a Flat Stanley to the ballpark for for a photo for his kid, I got this crazy idea for a campaign to engage our fans.

The power of a paper doll. The gifted Post-Dispatch cartoonist and good friend, Dan Martin created Flat Stan the Man.

Dan's compensation was lunch at Pappy’s. Yep, we were pulling out all stops. Spare no expense, it is the Cardinals' way!

We secured permission from Stan’s business manager Dick Zitzmann to turn Stan into a cartoon paper doll. We also secured permission from Dale Hubert, the Canadian educator who created Flat Stanley. Educators, parents and students for generations are likely familiar with Flat Stanley. I'd like to think our version is sorta like a new Fortnite skin...a turbo charged Flat Stan the Man.

We formed a front office committee to do a lot of leg work. We built a landing page that included a new interface that allowed fans to download the paper doll, sign a petition to the President of the United States and even upload a picture of themselves taking a Stand for Stan. While it seems funny to me to look back on it today, the truth is that this was state-of-the-art stuff at the time. MLBAM did a nice job helping us make it all happen.

The secret weapon of the campaign was Andy Cohen. I was introduced to Andy by my colleague Jeff Luhnow about the same time I was preparing the campaign. I helped coordinate a ceremonial “first pitch” for Andy who was coming into town to be inducted into the Clayton High School Hall of Fame. I had no idea what a big deal he was until I met him. Wow! Every woman in the front office showed up in my office when they learned he was coming to the ballpark. Who knew?!

Anyway, since we were in the throughs of getting the campaign together, I told Andy what we were trying to do. I sent Andy back to New York with a paper doll. He got us Sarah Jessica Parker, Mathew Broderick and a host of other celebrities.

Never underestimate the power of celebrity.

It helped fuel our campaign that entire summer. We were shameless in asking every celebrity in our little realm to take a picture with a paper doll. When we posted a picture with a celebrity, the fan photos came pouring in.

Before we launched the campaign, we built an archive of images of people with the paper doll.

The campaign launched at 10AM on May 25, 2010.

We tweeted photos every few minutes. We didn’t rely totally on social media to get the word out.

While we didn’t do a press release; we did give an “exclusive” to the Post-Dispatch which was really effective.

While our first choice was to give the story to Rick Hummel, the Commish was on a mandatory furlough from the Post-Dispatch given that the paper had purchased by Lee Enterprises. Derrick Gould had the honors. In hindsight, it was pure blessing he got the story. He was amazing. He got it. He understand what we were trying to do with social media and (thanks to his editors) gave the story big play.

Within hours the campaign went viral thanks to Derrick’s story.

That night, when I was watching the TV broadcast, some fans in San Diego brought a homemade sign to the ballpark. I couldn’t believe my eyes.

The next morning, when I was looking at the website, I saw a photograph of children in Jordan (yes in the Middle East) holding up the paper doll. The next photo I saw literally brought tears to my eyes. It was a photo of Stan Musial, standing in a parking lot with all of his grandchildren holding up the paper doll.

When I saw that image, I realized that this campaign really wasn’t about the Medal of Freedom. The campaign was really about community. It was about a community fans showing their love and affection for Stan Musial. And, more importantly, for Stan to feel that fan adoration again.

Also, this is something that sticks with me today, it was about linking generations. You had kids who were more technology adept, helping older generations figure out how to use technology. In the meantime, older fans were teaching younger fans about Stan.

Throughout the summer of 2010 we had fun and kept stoking the campaign in creative ways that kept it alive. We even hosted a Stand for Stan day at the ballpark in late October. It was my then infant son Charlie’s first game. Pretty cool huh?

That fall, President Obama announced that Musial would be awarded the Medal of Freedom at a ceremony at the White House in early 2011. I remember learning the news when I was at the Winter Meetings in Florida and the news “breaking” as I made my way home with our General Counsel Mike Whittle.

To this day, I get teary eyed when I see the video of Stan receiving the medal from the President and seeing his grown children in the audience in the East Room of the White House waving the paper doll in celebration.

The Stand for Stan campaign showed me that social media could be used to bring people together in a positive way. Brands can use it to ratify a sense of belonging – a sense of being part of something bigger than themselves.

Unselfish kindness.

It something to remember today as we live through a time when we see near constant manipulation of social media to feed division, it is nice to take moment to reflect and realize that we once stood together to do something nice for a man who deserved it. Social media can and should be used in a positive - pro social manner.

Just remember the lessons we learned when we all took a Stand for Stan .

By Ron Watermon November 1, 2025
In the digital media age, outrage is currency. Not just emotional currency, but authority, engagement, and sometimes market value. What if the anger you see bubbling up on social feeds isn’t purely organic, but instead the product of a manufactured campaign — run at industrial scale, with bots, trolls, and fake accounts fanning the flames? That’s the story behind two recent flashpoints: the Cracker Barrel logo debacle and the Charlie Kirk killing in Utah. The common thread: replay of a familiar playbook in digital influence operations. I first became aware of this issue when I oversaw social media for the St. Louis Cardinals. We were victimized by trolling that we later found out where fake accounts controlled by someone with an agenda. It happens more than you realize. It is important to understand that much of what you see online isn’t necessarily what it appears to be. I ‘ve been trying my darndest to educate my son about this troubling reality. The Playbook: From Real Trigger to Manufactured Tsunami A typical sequence: a genuine event or brand decision appears. Then somewhere in the feed, suddenly, an initial wave of harsh commentary. But this is amplified by networks of automated or semi‐automated accounts: fake profiles posting a high volume of posts, repeating identical talking points, deploying hashtags, creating the impression of a massive grassroots revolt. Humans then amplify the outrage further — natural users who treat the commentary as genuine, join in the pile-on. Media notices. The target reacts. The narrative crystalizes and people believe it as gospel. This dynamic has been studied in academic research: for example, social bots increased exposure to negative and inflammatory content during the 2017 Catalan referendum . The pattern has been labelled “ rage-farming ” — taking a benign or business decision, stripping context, and turning it into a cultural event by generating outrage. Case One: Cracker Barrel’s Rebrand (or “Crisis”) In August 2025, Cracker Barrel introduced a minimalist redesign of its iconic logo — removing the figure of the man leaning on the barrel, simplifying the brand. What followed, on social media, looked like a cultural backlash — waves of posts accusing the company of erasing “Americana,” capitulating to “woke” agendas, and provoking a boycott narrative. But data suggests the backlash was largely orchestrated. Research from PeakMetrics found that 44.5% of posts on X on the first day of the controversy were posted by “bots or likely bots” — nearly double the normal rate for brand discussions. Another analysis by Cyabra found that 21 % of the profiles attacking Cracker Barrel were fake accounts, generating 4.4 million potential views and correlating with a roughly 10.5 % drop in the chain’s stock price (≈ US$100 million in market value). In short: what may have started as a legitimate brand evolution was transformed into a crisis — arguably by actors seeking to create the appearance of consumer revolt rather than organic outrage. Pull this thread back and you’re looking at an influence operation using brand identity as knock-on effect weaponry. Case Two: The Killing of Charlie Kirk & the Disinformation Cascade Divides Us When conservative activist Charlie Kirk was killed in Utah in September 2025, the immediate social media reaction was chaotic and fast. But analysis reveals that part of the reaction to the podcaster’s killing was not spontaneous: foreign adversaries and bot networks seized the moment to amplify narratives of American dysfunction, civil war, and conspiracy. For example: over 6,000 mention clusters across official Russian, Chinese and Iranian channels within a week of the event. The U.S. state-level warning was immediate: Utah Governor Spencer Cox said “We have bots from Russia, China, all over the world that are trying to instill disinformation and encourage violence.” One article summarizes: “America’s adversaries have long used fake social media accounts, online bots and disinformation to depict the US as a dangerous country beset with extremism and gun violence.” The mechanics? Bot and troll networks inserted themselves into the conversation when the topic was searing. This was a breaking news dynamic. The news had not yet fully solidified, facts were still emerging. In that void, false claims proliferated: about who the shooter was, their motive, links to Ukraine, Israel, trans-ideology, etc. These narratives served broader purpose: to stoke domestic divisions, diminish trust in institutions, and disrupt public discourse at a moment of crisis. Why This Matters for STORYSMART® Practitioners For storytellers, consultants, brand strategists and communicators working in a high-noise online world, this dual trend — manufactured outrage + influence operations — poses multiple red flags and opportunities. 1. Perception vs. reality. Just because an online backlash looks huge does not mean it’s genuine. The data from Cracker Barrel shows how nearly half the early posts were automated. Without discerning bots from humans, brands or agencies may mis-read audience sentiment and mistake a manufactured wave for real consumer demand. 2. Narrative acceleration. In the age of bots + algorithms, once a narrative is injected it can spread from inauthentic accounts to real humans to media headlines — creating feedback loops that feel authentic but are engineered. That acceleration can force brand decisions (reversals, halts) under pressure. Cracker Barrel reversed its logo and remodel plans within weeks. 3. The wild field of breaking news. Big, fast news events (Kirk’s killing, natural disasters, etc.) are ripe targets for influence campaigns. Facts are incomplete; emotions are high; bots can fill the vacuum. If you’re communicating after such an event — whether as a journalistic storyteller, brand communicator or community-manager — you must assume noise is amplified, manipulated, and multi-layered. 4. Trust and narrative ownership. If 21 % of the profiles attacking a brand were fake (as with Cracker Barrel), then the “public opinion” you see may not be public at all but engineered. For storytellers using social listening data, this demands scrutiny: Which voices are real? Which are bots? The narrative you amplify might be the product of manipulation. 5. Media literacy and storytelling ethics. As a STORYSMART® framework practitioner, this is a perfect teaching moment. Your audiences (clients, teams, communities) need to know not just how to create stories, but how to see through manufactured ones. Because the cost of mis-reading the field is high: brand equity, public trust, even stock value can be sucked into the vortex. Key Signals: How to Spot Manufactured Outrage Here are some warning signs to watch for: A sudden spike in volume from accounts with little profile history (new accounts, no followers, generic avatars). Identical talking points repeated across multiple posts in short time. For example: #BoycottBrandX, #BrandXIsFinished. (Cyabra found this in the Cracker Barrel case.) The narrative pivots quickly from a product/brand detail (logo change) to culture-war framing (betrayal of tradition, woke agenda, etc.). Geographical spread and targeting: foreign state media or foreign language accounts join the conversation immediately after an event. (As in the Kirk case.) Rapid transition from social media to mainstream media coverage, with headlines referencing “outrage” and “backlash” even though underlying data may be murky What You Should Do Integrate authenticity analysis: Don’t assume all posts are equal. Use tools or manual scans to look for high-volume bot activity before concluding a backlash is real. Delay action until you understand the narrative origin: If a brand feels under attack, pause for five minutes to look at the data — is it genuine critics or orchestrated storm? Frame proactively, truthfully: If you manage the target brand or stakeholder, ensure your communication makes clear what you know, what you don’t know, and how you are listening. Silence or knee-jerk reaction plays into manufactured narratives. Teach your audience/stakeholders: In your STORYSMART® work, build into messaging the idea that not every “viral outrage” is grassroots. That meta-narrative — about how narratives are constructed — becomes part of the story. Monitor ripple effects: As we saw in Cracker Barrel’s case, the manufactured outrage had an actual financial cost. Public trust and brand value aren’t immune. Final Thought In the age of bots, troll farms, programmed outrage and attention-economy weapons, the line between “public sentiment” and “manufactured sentiment” is increasingly blurred. Whether you're working on a family-history documentary, a brand relaunch, or a social media campaign, the same rule applies: the source of the buzz matters. If that buzz has been engineered, you risk mis-reading the narrative, mis-allocating your voice, and playing into someone else’s story. For the STORYSMART® audience, this is a prime example of storytelling in practice: not just what story is told, but how it is seeded, amplified and weaponized. The more we understand the machinery behind the outrage, the better we can shape stories that are genuine, strategic, and resistant to manipulation.
By Ron Watermon October 21, 2025
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By Ron Watermon October 13, 2025
Your Clear Eyes, Full Rights, Can't Lose Playbook.  If you’ve ever watched Friday Night Lights, you know the phrase: Clear eyes, full hearts, can’t lose. It’s the mantra Coach Taylor preached to his team. But when I look at the 35-year storytelling journey of Friday Night Lights—from a reporter’s notebook to a bestselling book, then a film, a beloved series, and now talk of a reboot—I see a slightly different mantra: Clear eyes, full rights, can’t lose. Because underneath the inspirational football story is a lesson we can draw from in how one journalist’s immersive reporting became a durable, multi-platform franchise. And for me, it’s a perfect demonstration of a pathway we advocate for at STORYSMART®. It all starts with investing in good clear-eyed journalism. It is the single most important investment you can make in developing a true story. When you take control of your source material to tell a true story and develop your story properly, your story can live on for years far beyond the page. I’m a big proponent for adopting a story franchise mindset when approaching storytelling projects. That is why I tell clients to think like a studio executive by adopting a media mogul mindset. When you open your mind to that, it opens the doors of possibilities. The storytelling journey of Friday Night Lights helps illustrate what is possible, as well as offer other lessons on what to do and not do in designing your own professional storytelling path. How a reporter’s notebook became a franchise In 1990, journalist Buzz Bissinger published Friday Night Lights: A Town, a Team, and a Dream. It wasn’t just another sports book. He moved his family to Texas to immerse himself in this story. Bissinger spent a year in Odessa, Texas, embedded with the Permian High School Panthers, capturing the obsession, pressure, and community identity that revolved around high school football. He conducted hundreds of hours of interviews and built his narrative from a deep archive of source material. Every interview he conducted is his work product, what I often refer to as copyright protected storytelling source material. Make note of that. That depth of Buzz’s reporting gave the book credibility. It also gave it power as intellectual property. It was a fantastic book that was a hit.
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July 22, 2025, St. Louis, MO - There’s a line in Jerry Maguire that has always stuck with me. Young Ray asks his mom, “What’s wrong, Mom?” And she replies: “ First class is what’s wrong, honey. It used to be a better meal. Now it’s a better life. ” That line hits hard. Because access—access to opportunity, tools, and professionals—changes everything. And when it comes to storytelling, access has long been unequal. For decades, only a small group of insiders had the power to tell stories at the highest level. If you weren’t already in Hollywood or publishing, your story stayed in coach—often ignored, misrepresented, or lost. I wrote STORYSMART® Storytelling for ALL to change that. This book is a roadmap. It’s designed to give you—whether you’re a public figure, entrepreneur, athlete, or someone with a life story worth telling—the same tools used by insiders. The same strategies that power studios, presidents, billion-dollar production companies, and bestselling memoirs. It’s also deeply personal. I’ve seen too many remarkable true stories disappear because people didn’t know how to protect them—or worse, were taken advantage of. I’ve felt like an outsider myself. And I know what it means to want your story told right. That’s why I developed the STORYSMART® Framework. To empower people with meaningful stories to protect their rights, preserve their vision, and share it with the world—on their own terms. I’m making the Author’s Note from the book available as a free PDF download as part of this post. And if you’ve got 90 seconds, I invite you to watch the short video message from me below. This is your story. Let’s tell it the right way. About The Book In a world hungry for authentic narratives, STORYSMART® Storytelling for ALL™ : How to Take Control, Own Your True Story and Profit Like a Hollywood Insider delivers a rare insider’s guide to turning a true story into a cultural and financial asset while maintaining control. Designed for public figures, entrepreneurs, and individuals with powerful life stories, the book introduces the STORYSMART® Way, a step-by-step framework to organize, preserve, and professionally develop your story for books, film, and television. The book pulls back the curtain on how stories move through publishing, Hollywood, and streaming—and empowers readers to navigate the process like seasoned insiders. Topics include copyright and licensing, collaborating with elite-level professional filmmakers and ghostwriters, developing a pitch-ready treatment, and monetizing true stories through publishing, streaming, and merchandising. STORYSMART Storytelling for ALL is available currently as both a paperback and e-book. It will be available soon be in hardcover and audiobook formats. About the Author Ron Watermon is the founder of STORYSMART®, a cinematic storytelling consulting service and story development film studio. A lawyer, filmmaker, and Emmy-nominated television producer and writer, Ron’s led strategic communications for an MLB team, advised high-profile clients, and has produced both film and television productions. Ron lives in St. Louis with his family. Learn more about Ron at storysmart.net and ronwatermon.com #STORYSMART #StorytellingForAll #NewBook #MediaRights #TrueStories #BookLaunch
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