What is your cost per video?

Ron Watermon • November 26, 2021

What will it cost you to tell your story using video?

St. Louis Missouri – November 2021 - It is important to know exactly what it will cost to tell your story using video. It is the first question most clients have when deciding whether to invest in professional video production.

A friend recently shared a blog post from a production company about setting a video budget. The article does a good job summarizing the costs of traditional video production. Most of you will have sticker shock.

Most professional video productions (a.k.a not StorySMART) range from a low of $10,000 to as much as a $150,000 . That is consistent with what I’ve seen over the years in my home market of St. Louis. I expect it might be more in other markets like LA, New York, San Francisco or Miami.

A typical testimonial video will cost between $15,000 to $20,000, a product video $12,000 to $25,000, a motion graphic animation could run $10,000 to $40,000 and a commercial anywhere from $30,000 to $150,000.


That is a lot of money for a single video. Only you can determine if that is a good investment for your business.

Even though those numbers are many multiples of what StorySMART charge our clients, I will admit it might make sense to spend $150,000 if it will generate even more than that in return.

Star Wars cost $11 million to make. It grossed over $775 million at the box office and became a cultural phenomenon.

You can’t determine return on investment without knowing the investment cost first. That same dynamic is true with telling a story. How much is telling your story with video worth to your business? How much will it cost to produce it? How will you use it to build your brand or sell your services or product?

Video drives organic traffic to your website better than anything else. According to Forbes, you are 53 times more likely to have a front-page Google search result for your website if you include a video. Video content performs better on social media than any other content. Those are factual realities in 2021.

At StorySMART, we don’t spend much time trying to convince you of the general value of video. Most people see it for themselves. We figure if you don’t realize that by now, you are not a right fit for StorySMART. And the world will soon pass you by. We hope to still be here when you figure it out.

The fact is that every business needs video. And not just one video. Many videos.

That bears repeating as this is where StorySMART parts ways with virtually every video production company in America. We won’t try to convince a business to invest a ton of money in just one video. We would rather use those resources to do more videos over time.

It is a marathon, not a sprint. You need to be using video consistently in your business communications and marketing. Video is here to stay.

We also know what makes us unique. If you have a $150,000 to spend on one video, you are likely not coming to StorySMART. While we would love your business, we are not set up to do the next Super Bowl Budweiser Clydesdale spot.

While I love those ads, advertising isn’t our niche. We don’t do advertising videos. Instead, we specialize in using experienced television reporters to tell your story using brand journalism. The name of our game is telling, not selling.

StorySMART is here to help you tell story in an honest and authentic way that connects credibly with your target audience. We believe that if you want to be remembered, you need to tell a good story. It is that simple.

Our cost-certain service is a real value not because of the affordable price that is a fraction of most professional productions, but because of the high-integrity approach of journalism delivered from a brand point of view using experienced TV reporters working for you.

So how can StorySMART offer a price that is a fraction of what other companies will charge you to tell your story?

The short answer is we use an MMJ. A multimedia journalist. We assign a single storyteller to tell your story. They do it all. Interview you and your folks. They shoot and edit the video. And they write the 350+ word blog post so you can simply share the video. It is a turnkey service designed to help you connect credibly and authentically with your target audience.

And you can afford to rinse and repeat that process, building online traffic to your business one story at a time.

This is one of the ways we are different than most production companies that are built more around the film or advertising agency model. They bring a full crew to tell a story. They place a greater emphasis on production quality than our model does. While we demand high quality professional results from our reporters, we are not out to create a budget breaking cinematic masterpiece.

Most production companies follow a bigger budget scripted storytelling model that is ideal for creating a single beautiful video but doesn’t lend itself well to telling multiple stories over the long-haul. Also, the scripted model isn’t easy on non-actors. It hard to read a teleprompter and come across as authentic.

We want to help you build and grow your online audience through consistent honest authentic storytelling that is relevant to your audience. Your cost per video is very relevant in that model.

What can you sustain over the long term?

If your business needs to be sharing videos consistently over time forever, what model works best for you?

While most scripted video storytelling and other professional production has a place with businesses, I need to call out one thing I see far too often. Vanity video.

StorySMART doesn’t produce those self-serving corporate vanity videos whose only audience is the c-suite. Good storytelling isn’t about you, it is about your audience. The same goes with good communication or marketing. You measure the success of communication not on the intent of the communicator, but on how it connects with the audience.

If you are a business or non-profit organization, we don’t think you should be spending your entire marketing budget on a single slick video. We believe that is a waste of good money for most organizations. We believe you are better off taking that same money and spending it on several videos.

You should be building, maintaining and growing an online audience with your customers and prospective customers. Look around you. Everyone is on the internet all the time. Search drives our economy. Search can be used to drive customers to you if you use a telling, not selling approach to video.

You should be blogging and connecting with your customers digitally. At a minimum, every business should have an email newsletter and an online blog. You should also be on social media. Consistently. Not just one and done.

Your goal should be to serve that audience relevant stories from your area of expertise. When you do that consistently with video, Google will recognize your website as a subject matter expert. But more important than that, you are giving your customer relevant information that is responsive to their search. You are building a relationship built on trust through honest storytelling.

While you might accomplish some of that with one video that costs $30,000, we think you are better served doing a dozen videos for that money. With that approach, you are getting your cost per story down to $2,500 per story.

While most production companies will sell you on doing one video, we want you to do consistent storytelling. One and done won’t cut it. We think you should be blogging with some consistency. One a month. If you can’t afford that, six a year. If that doesn’t work, once a quarter.

While that professional production company wants you to spend a minimum of $12,000 on one video, we think you are better off doing four stories for that investment. I will tell you that a $12,000 video will likely look prettier. It will have higher production value, but it may not come across as authentic if your people are reading a script. You could save money by doing it yourself. You could shoot your own videos with your cell phone for a lot less than we will charge you.

If your choice is not doing something or doing it yourself, I’d say do it yourself. If you prefer a professional do it for you, then we would like the chance to earn your business. We can’t say anything negative about production companies that charge a lot more than StorySMART. Many companies do top notch work that is beautiful. It might be exactly what you need and might be well worth the investment. Only you can answer that question.

The bottom line is you should know what your cost per story will be and design a program that you can sustain year after year. You should make sure you own the copyright on everything you have done. Don’t make the mistake of spending tens of thousands of dollars and not owning the work production. You should know your cost per story and you should #OwnYourStory

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July 22, 2025, St. Louis, MO - There’s a line in Jerry Maguire that has always stuck with me. Young Ray asks his mom, “What’s wrong, Mom?” And she replies: “ First class is what’s wrong, honey. It used to be a better meal. Now it’s a better life. ” That line hits hard. Because access—access to opportunity, tools, and professionals—changes everything. And when it comes to storytelling, access has long been unequal. For decades, only a small group of insiders had the power to tell stories at the highest level. If you weren’t already in Hollywood or publishing, your story stayed in coach—often ignored, misrepresented, or lost. I wrote STORYSMART® Storytelling for ALL to change that. This book is a roadmap. It’s designed to give you—whether you’re a public figure, entrepreneur, athlete, or someone with a life story worth telling—the same tools used by insiders. The same strategies that power studios, presidents, billion-dollar production companies, and bestselling memoirs. It’s also deeply personal. I’ve seen too many remarkable true stories disappear because people didn’t know how to protect them—or worse, were taken advantage of. I’ve felt like an outsider myself. And I know what it means to want your story told right. That’s why I developed the STORYSMART® Framework. To empower people with meaningful stories to protect their rights, preserve their vision, and share it with the world—on their own terms. I’m making the Author’s Note from the book available as a free PDF download as part of this post. And if you’ve got 90 seconds, I invite you to watch the short video message from me below. This is your story. Let’s tell it the right way. About The Book In a world hungry for authentic narratives, STORYSMART® Storytelling for ALL™ : How to Take Control, Own Your True Story and Profit Like a Hollywood Insider delivers a rare insider’s guide to turning a true story into a cultural and financial asset while maintaining control. Designed for public figures, entrepreneurs, and individuals with powerful life stories, the book introduces the STORYSMART® Way, a step-by-step framework to organize, preserve, and professionally develop your story for books, film, and television. The book pulls back the curtain on how stories move through publishing, Hollywood, and streaming—and empowers readers to navigate the process like seasoned insiders. Topics include copyright and licensing, collaborating with elite-level professional filmmakers and ghostwriters, developing a pitch-ready treatment, and monetizing true stories through publishing, streaming, and merchandising. STORYSMART Storytelling for ALL is available currently as both a paperback and e-book. It will be available soon be in hardcover and audiobook formats. About the Author Ron Watermon is the founder of STORYSMART®, a cinematic storytelling consulting service and story development film studio. A lawyer, filmmaker, and Emmy-nominated television producer and writer, Ron’s led strategic communications for an MLB team, advised high-profile clients, and has produced both film and television productions. Ron lives in St. Louis with his family. Learn more about Ron at storysmart.net and ronwatermon.com #STORYSMART #StorytellingForAll #NewBook #MediaRights #TrueStories #BookLaunch
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We are honored to share some big news. Our documentary, A Steak Guerrilla in St. Louis: The Dr. Arturo Taca Story, has been selected as one of five projects to receive funding from the St. Louis Film Project , a collaboration between the Regional Arts Commission (RAC) of St. Louis and Continuity . This recognition comes from a highly competitive pool of 115 applicants. The grant—up to $100,000—represents a decisive vote of confidence in our story and our approach to telling it. It also offers meaningful momentum as we enter the next phase of production. Most importantly, it reinforces what we believe: Dr. Arturo Taca’s story matters and deserves to be told. A Story Rooted in St. Louis — and Felt Across the World “A Steak Guerrilla in St. Louis” is a documentary rooted in the unlikely convergence of midwestern Americana and Filipino resistance. It follows the story of Dr. Arturo M. Taca, a Filipino surgeon and political exile who made St. Louis his home while taking a stand against Ferdinand Marcos's brutal dictatorship. Before terms like “fake news” and “disinformation” became common in American discourse, Dr. Taca uncovered the truth behind the Philippine president's fraudulent war record. That investigation began here—in dusty archives just outside of St. Louis—and set off a chain of events that toppled a brutal dictator. Our film uses a hybrid storytelling format, combining animated reenactments, interviews, and archival research to tell this story in an emotionally resonant and visually striking way. The Grant That Helps Make It Possible The St. Louis Film Project grant, funded through RAC and administered by Continuity, is part of an initiative to uplift the film community in St. Louis. RAC’s press release states that the fund was created to “support local filmmakers and organizations to tell stories rooted in St. Louis.” The evaluation process was rigorous. “Choosing five projects from over 100 submissions was no easy feat," said Vanessa Cooksey, President of RAC. "The talent and stories presented were incredible.” That’s why being one of the five chosen is more than just a financial boost—it affirms this story’s value and connection to our community. It means much to us, and we don’t take it lightly. A Delayed Start But a Firm Deadline While the grant announcement arrived months later than initially expected, we’ve been working behind the scenes to be ready to go once we receive funding. With this grant officially in place, we’re full steam ahead. The grant contractually obligates us to deliver the completed film by January 2026. That’s a fast turnaround in documentary filmmaking, especially for a story with historical depth, international relevance, and a visual style that blends live action with animation. That means every day counts. While the grant covers significant production costs, it also comes with essential parameters: 75% of funds must be spent within the City of St. Louis. We’re proud of that requirement—it aligns with our belief in investing locally and elevating regional talent. But it also means we must be innovative, strategic, and resourceful with every dollar we spend. We have our entire team in place, minus one critical position. We need a gifted DP to join our elite team. We are eager to work with a tremendous city-based production company or cinematographer who calls St. Louis home. If you know a great cinematographer who would like to join us, please have them email me at ron@storysmart.net. Why We’re Still Seeking Donor Support Even with the RAC grant, bringing this film to life in the way it deserves will take more. Animation, archival licensing, original score composition, color grading, distribution planning—it all adds up. And some of this can't be sourced in a way that fits grant guidelines. And because of the ambitious deadline, we’ll need to scale quickly without cutting corners. That’s where you come in. We’re seeking additional donor support to help us: Expand our animation sequences and visual storytelling capacity. Secure the rights to key archival materials that deepen the film’s historical accuracy. Shoot at least a couple of interviews with key individuals who live outside our region, including the Philippines. Invest in editorial and post-production tools that allow us to move efficiently without sacrificing quality. Ensure the finished film reaches the broadest possible audience, from film festivals to classrooms to international broadcast platforms. Your contribution—no matter the size—helps ensure that Dr. Taca’s story is told with the care, accuracy, and cinematic impact it deserves. If you believe in the power of truth-telling… if you value stories that connect communities and illuminate buried history… we hope you’ll consider becoming a supporter. Click here to donate Learn more about our film at steakguerrilla.com A Final Word: Why This Story Matters Now We often think history is distant, locked away in textbooks or museums. But A Steak Guerrilla in St. Louis reminds us that history is constantly being rediscovered—sometimes in our backyard. It’s a reminder that exile doesn’t silence the truth, that one person in one city can stand up to a dictator and change the course of a narrative written in lies, and that the work of defending democracy happens quietly, persistently, and often without recognition. Now, it’s time to give that recognition. With this grant—and with your support—we’re going to finish the film. And when we do, we’ll bring a hidden chapter of St. Louis history that reverberates far beyond our city limits. Thank you for sharing this journey with us, and a special thanks to each member of our talented filmmaking team. I'm grateful for your willingness to work to bring this story to the screen, your patience through this process, and your unselfish (uncompensated) work to make it happen. I have no doubt it will all be worth it! --Ron Watermon, Executive Producer & Director, A Steak Guerrilla in St. Louis: The Dr. Arturo M. Taca Story
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