WHAT IS YOUR $TORY WORTH?

Ron Watermon • December 12, 2021

Your story is an asset that will appreciate in value by investing in good storytelling

St. Louis, MO – December 2021 - What is your story worth? It is fair question regardless of whether the context of the question is personal or professional.

What is your business story worth? What is your personal story worth?

I would add a clause to those questions that will help point you toward an answer. Add “to (blank)?” You fill in the blank of to whom.

For example, What is your mom’s story worth to you? What is your mom’s story worth to her grandchildren?

You get the idea.

Context and specificity should provide access to meaningful answers. Asking these simple questions should have you thinking about the value or worth of your story in a different way.

There is intrinsic value in telling your story. There is also extrinsic value. There is pecuniary value in telling your story. Pecuniary value is monetary value.

What is your story worth from a financial standpoint?

Is your story worth a dollar, $10, $100, $10,000 or more to you or others?

It might be provocative to frame the question in those terms, but it is helpful. If you are thinking about investing in storytelling for your business or yourself, it is critical.

Each person’s story has value. And not just sentimental value. Their story has a real dollar value. It is in asset they can invest in. Good stories are worth money. Consumers buy stories every day in America. You and I are no different.

Just look at your spending. You are buying stories all the time.

If you subscribe to Netflix, Hulu, Disney+ or any streaming service, you are paying for storytelling. If you watch the news, you are paying for storytelling. If you buy a book, you are paying for storytelling.

What is a personal memoir worth?

The value of an individual story is directly related to the quality of the storytelling itself and the audience it is intended to reach.

My personal story is worth something to me and my loved ones. It I write a memoir about my time with the St. Louis Cardinals (“ It Rained On Opening Day ”), it could become a New York Times best seller and be turned into a feature film. Or it might not.

The quality of how that story is told can increase or decrease the value of that story.

If a talented ghost writer like J.R. Moehringer writes my story, it will likely be worth a lot more than if I write it. The fact that J.R. ghost wrote Andre Aggasi’s successful autobiography Open, Phil Knight’s “Shoe Dog: A Memoir by the Creator of Nike” and he is now working on a memoir for Prince Harry would likely make my story a potential hit before a single word is written.

Why would an accomplished tennis player, an entrepreneur or a future king hire a professional writer to help them tell their story? Because they wanted to do their story justice and tell it in the most amazing way.

Being a great tennis player, a successful entrepreneur or future monarch doesn’t necessarily make you a good writer. All of these men were smart and could afford to bring on a good writer to write their autobiography.

Both Aggasi and Knights memoirs are high grossing, well-written popular books in part because a Pulitzer prize winning ghost writer helped those individuals tell their story. J.R.’s work for hire increased the value of their story in measurable ways.

Sure, each person had a great story to tell and are celebrities that publishers could market, but J.R.’s writing talent took their stories to a higher level without sacrificing honesty or authenticity. To the contrary – his talents brought out the story from within.

Aggasi and Knight both invested in professional storytelling increasing the asset value of their individual stories.

The same could be true for you or me. Investing in an asset like your story can produce a high return just like fixing up your old house increases the value. You increase both the intrinsic and extrinsic value of the story by crafting into a well-told story by investing in good storytelling.

Think of it this way. If George Clooney plays me in a movie version of my life, my story will be worth a lot more than me doing a YouTube video. The quality of the storytelling will play a big role in the value of that story. I mean it is George Clooney right? He may not be as good looking or as nice as me, but he is bankable in Hollywood and there is a large universe of people who will watch my story simply because they like him.

The quality of storytelling matters. And not just with published works. It matters with film production and video storytelling too.

What is the Beatles documentary on Disney+ worth to them? Their fans? Historians?

I am watching the Beatles Peter Jackson documentary right now. It is well done. I am honestly blown away by the quality of the footage and the fly on the wall access it gives us into their creative process.

I am sure it was sold to Disney for a lot more than it cost to shoot it back in 1969. The work that Peter Jackson’s team did enhanced the value of the original footage by turning into a story we are consuming as part of a miniseries.

Jackson took sixty hours of film footage and over 150 hours of audio stemming from the original Let It Be film project to create the mini-series. Jackson spent almost four years editing what we are watching. His craft, talents and effort add value to the end product.

While I won’t argue that your mom’s story will be the next big streaming hit, I know it has real value. I also know the quality of the storytelling will increase both the intrinsic and extrinsic value of her story. Brining on a professional to tell her story will bring it to life for an audience in the same way that Jackson’s efforts bring the Beatles story to life.

I am confident that if StorySMART reporter Paul Schankmantells your mom’s story, the value will increase because it will be professionally told by a 32-time Emmy award winner who has produced over 7,000 stories in his life. Like Peter Jackson, Paul Schankmanhas a gift for telling a story that elevates the core story in honest and authentic way.

Process and practical elements like visuals matter. Your mom’s video story will be better if she shares family photos and home movies with us. Her story may be even better if we interview other loves ones to share their perspective on her.

Quality storytelling matters in making the most of anyone’s story. It doesn’t matter if we are talking about the Beatles or your brother. A professional storyteller like Paul Schankmanor J.R. Moehringer is more likely to do a better job telling your story than you would do on your own.

Is is realistic to think you could sell your story and make money? For most of us, the answer is no. But if you are a highly accomplished individual like a celebrity or athlete your story might be something you could sell to Netflix or Warner Brothers. It really depends on the quality of the storytelling.

You, your family or your estate could conceivably make millions if your story is turned into a hit movie, Broadway show, streaming series or best-selling book.

But let’s be honest, it comes down to the quality of the storytelling.

I formed StorySMART because we want to help people tell their story in the best possible way while also making sure they own the copyright on their own story. No one should profit from your story but you.

Ordinary people have extraordinary stories. The reverse can also be true. Extraordinary people can have ordinary stories.

As consumers of stories, we want watch well produced stories. It doesn’t matter if it is story about someone famous or some stranger. We want to connect at a human level through the story. The quality of the story turns not on who is the focus of the story, but how well the story is told.

The democratization of media production is a cool thing. The fact that anyone can share a video on YouTube or self-publish a book is truly awesome. But just because you can do something, doesn’t mean you will do it well.

There is an epidemic of bad videos on YouTube and poorly written self-published books on Amazon.

Andre Agassi and Phil Knight were smart in hiring a Pulitzer prize winning author to write their memoirs. That idea of bringing a professional to tell your story while still owning it is what StorySMART is all about. StorySMART is about empowering people like Andre, Phil, you, your mom, your neighbors and the local small business to do the same thing with video storytelling.

We want you to own your story while also having it told in professional way. Everyone deserves to have our story told in amazing way because we all deserve to be remembered. Our mission is to provide professional storytelling for all.

For me, StorySMART’s mission is personal. I wish someone had told my dad’s story because I’ve spent most of my life haunted by not knowing him. As a youth, I carried around a strong sense of absence. As an adult, I wish I had a video of my dad I could show my son Charlie. I would cherish something like that.

StorySMART is actively working to help families hold onto memories of loved ones who have died. We are committed to creating something beautiful that can be handed down to future generations.

The ability to do that in a profound way comes down to practical issues like do we have enough photographs of the loved one and loved ones we could interview to tell their story? Are people emotionally ready to talk about a loved one who has died? Can we make it affordable?

I am on a mission to figure it out in a scalable way because I don’t want any else to have to feel what I’ve felt over the years. My dad mattered. He wasn’t a big shot who accomplished a lot in his very young life dying before he was 30, but he mattered to me, to my sister and my mom.

I know he touched others like the players on the high school football team he coached on the Air Force Base in Madrid where we lived when he died. Like you and your loved ones, he deserves to be remembered.

My dad’s story would be worth a lot to me.

Only you can answer the question of what your loved one’s story is worth to you.

By Ron Watermon October 21, 2025
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Your Clear Eyes, Full Rights, Can't Lose Playbook.  If you’ve ever watched Friday Night Lights, you know the phrase: Clear eyes, full hearts, can’t lose. It’s the mantra Coach Taylor preached to his team. But when I look at the 35-year storytelling journey of Friday Night Lights—from a reporter’s notebook to a bestselling book, then a film, a beloved series, and now talk of a reboot—I see a slightly different mantra: Clear eyes, full rights, can’t lose. Because underneath the inspirational football story is a lesson we can draw from in how one journalist’s immersive reporting became a durable, multi-platform franchise. And for me, it’s a perfect demonstration of a pathway we advocate for at STORYSMART®. It all starts with investing in good clear-eyed journalism. It is the single most important investment you can make in developing a true story. When you take control of your source material to tell a true story and develop your story properly, your story can live on for years far beyond the page. I’m a big proponent for adopting a story franchise mindset when approaching storytelling projects. That is why I tell clients to think like a studio executive by adopting a media mogul mindset. When you open your mind to that, it opens the doors of possibilities. The storytelling journey of Friday Night Lights helps illustrate what is possible, as well as offer other lessons on what to do and not do in designing your own professional storytelling path. How a reporter’s notebook became a franchise In 1990, journalist Buzz Bissinger published Friday Night Lights: A Town, a Team, and a Dream. It wasn’t just another sports book. He moved his family to Texas to immerse himself in this story. Bissinger spent a year in Odessa, Texas, embedded with the Permian High School Panthers, capturing the obsession, pressure, and community identity that revolved around high school football. He conducted hundreds of hours of interviews and built his narrative from a deep archive of source material. Every interview he conducted is his work product, what I often refer to as copyright protected storytelling source material. Make note of that. That depth of Buzz’s reporting gave the book credibility. It also gave it power as intellectual property. It was a fantastic book that was a hit.
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July 22, 2025, St. Louis, MO - There’s a line in Jerry Maguire that has always stuck with me. Young Ray asks his mom, “What’s wrong, Mom?” And she replies: “ First class is what’s wrong, honey. It used to be a better meal. Now it’s a better life. ” That line hits hard. Because access—access to opportunity, tools, and professionals—changes everything. And when it comes to storytelling, access has long been unequal. For decades, only a small group of insiders had the power to tell stories at the highest level. If you weren’t already in Hollywood or publishing, your story stayed in coach—often ignored, misrepresented, or lost. I wrote STORYSMART® Storytelling for ALL to change that. This book is a roadmap. It’s designed to give you—whether you’re a public figure, entrepreneur, athlete, or someone with a life story worth telling—the same tools used by insiders. The same strategies that power studios, presidents, billion-dollar production companies, and bestselling memoirs. It’s also deeply personal. I’ve seen too many remarkable true stories disappear because people didn’t know how to protect them—or worse, were taken advantage of. I’ve felt like an outsider myself. And I know what it means to want your story told right. That’s why I developed the STORYSMART® Framework. To empower people with meaningful stories to protect their rights, preserve their vision, and share it with the world—on their own terms. I’m making the Author’s Note from the book available as a free PDF download as part of this post. And if you’ve got 90 seconds, I invite you to watch the short video message from me below. This is your story. Let’s tell it the right way. About The Book In a world hungry for authentic narratives, STORYSMART® Storytelling for ALL™ : How to Take Control, Own Your True Story and Profit Like a Hollywood Insider delivers a rare insider’s guide to turning a true story into a cultural and financial asset while maintaining control. Designed for public figures, entrepreneurs, and individuals with powerful life stories, the book introduces the STORYSMART® Way, a step-by-step framework to organize, preserve, and professionally develop your story for books, film, and television. The book pulls back the curtain on how stories move through publishing, Hollywood, and streaming—and empowers readers to navigate the process like seasoned insiders. Topics include copyright and licensing, collaborating with elite-level professional filmmakers and ghostwriters, developing a pitch-ready treatment, and monetizing true stories through publishing, streaming, and merchandising. STORYSMART Storytelling for ALL is available currently as both a paperback and e-book. It will be available soon be in hardcover and audiobook formats. About the Author Ron Watermon is the founder of STORYSMART®, a cinematic storytelling consulting service and story development film studio. A lawyer, filmmaker, and Emmy-nominated television producer and writer, Ron’s led strategic communications for an MLB team, advised high-profile clients, and has produced both film and television productions. Ron lives in St. Louis with his family. Learn more about Ron at storysmart.net and ronwatermon.com #STORYSMART #StorytellingForAll #NewBook #MediaRights #TrueStories #BookLaunch
By Ron Watermon April 24, 2025
We are honored to share some big news. Our documentary, A Steak Guerrilla in St. Louis: The Dr. Arturo Taca Story, has been selected as one of five projects to receive funding from the St. Louis Film Project , a collaboration between the Regional Arts Commission (RAC) of St. Louis and Continuity . This recognition comes from a highly competitive pool of 115 applicants. The grant—up to $100,000—represents a decisive vote of confidence in our story and our approach to telling it. It also offers meaningful momentum as we enter the next phase of production. Most importantly, it reinforces what we believe: Dr. Arturo Taca’s story matters and deserves to be told. A Story Rooted in St. Louis — and Felt Across the World “A Steak Guerrilla in St. Louis” is a documentary rooted in the unlikely convergence of midwestern Americana and Filipino resistance. It follows the story of Dr. Arturo M. Taca, a Filipino surgeon and political exile who made St. Louis his home while taking a stand against Ferdinand Marcos's brutal dictatorship. Before terms like “fake news” and “disinformation” became common in American discourse, Dr. Taca uncovered the truth behind the Philippine president's fraudulent war record. That investigation began here—in dusty archives just outside of St. Louis—and set off a chain of events that toppled a brutal dictator. Our film uses a hybrid storytelling format, combining animated reenactments, interviews, and archival research to tell this story in an emotionally resonant and visually striking way. The Grant That Helps Make It Possible The St. Louis Film Project grant, funded through RAC and administered by Continuity, is part of an initiative to uplift the film community in St. Louis. RAC’s press release states that the fund was created to “support local filmmakers and organizations to tell stories rooted in St. Louis.” The evaluation process was rigorous. “Choosing five projects from over 100 submissions was no easy feat," said Vanessa Cooksey, President of RAC. "The talent and stories presented were incredible.” That’s why being one of the five chosen is more than just a financial boost—it affirms this story’s value and connection to our community. It means much to us, and we don’t take it lightly. A Delayed Start But a Firm Deadline While the grant announcement arrived months later than initially expected, we’ve been working behind the scenes to be ready to go once we receive funding. With this grant officially in place, we’re full steam ahead. The grant contractually obligates us to deliver the completed film by January 2026. That’s a fast turnaround in documentary filmmaking, especially for a story with historical depth, international relevance, and a visual style that blends live action with animation. That means every day counts. While the grant covers significant production costs, it also comes with essential parameters: 75% of funds must be spent within the City of St. Louis. We’re proud of that requirement—it aligns with our belief in investing locally and elevating regional talent. But it also means we must be innovative, strategic, and resourceful with every dollar we spend. We have our entire team in place, minus one critical position. We need a gifted DP to join our elite team. We are eager to work with a tremendous city-based production company or cinematographer who calls St. Louis home. If you know a great cinematographer who would like to join us, please have them email me at ron@storysmart.net. Why We’re Still Seeking Donor Support Even with the RAC grant, bringing this film to life in the way it deserves will take more. Animation, archival licensing, original score composition, color grading, distribution planning—it all adds up. And some of this can't be sourced in a way that fits grant guidelines. And because of the ambitious deadline, we’ll need to scale quickly without cutting corners. That’s where you come in. We’re seeking additional donor support to help us: Expand our animation sequences and visual storytelling capacity. Secure the rights to key archival materials that deepen the film’s historical accuracy. Shoot at least a couple of interviews with key individuals who live outside our region, including the Philippines. Invest in editorial and post-production tools that allow us to move efficiently without sacrificing quality. Ensure the finished film reaches the broadest possible audience, from film festivals to classrooms to international broadcast platforms. Your contribution—no matter the size—helps ensure that Dr. Taca’s story is told with the care, accuracy, and cinematic impact it deserves. If you believe in the power of truth-telling… if you value stories that connect communities and illuminate buried history… we hope you’ll consider becoming a supporter. Click here to donate Learn more about our film at steakguerrilla.com A Final Word: Why This Story Matters Now We often think history is distant, locked away in textbooks or museums. But A Steak Guerrilla in St. Louis reminds us that history is constantly being rediscovered—sometimes in our backyard. It’s a reminder that exile doesn’t silence the truth, that one person in one city can stand up to a dictator and change the course of a narrative written in lies, and that the work of defending democracy happens quietly, persistently, and often without recognition. Now, it’s time to give that recognition. With this grant—and with your support—we’re going to finish the film. And when we do, we’ll bring a hidden chapter of St. Louis history that reverberates far beyond our city limits. Thank you for sharing this journey with us, and a special thanks to each member of our talented filmmaking team. I'm grateful for your willingness to work to bring this story to the screen, your patience through this process, and your unselfish (uncompensated) work to make it happen. I have no doubt it will all be worth it! --Ron Watermon, Executive Producer & Director, A Steak Guerrilla in St. Louis: The Dr. Arturo M. Taca Story
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